More gross-out adventures, Wambaugh-style, at the L.A. Police Department—with a murder investigation in Hollywood and side-trips into narcotics, kiddy porn, massage parlors, transvestitism, and police brutality. Again, like The Choirboys, this is more a montage of grotesque/grim/comic vignettes than a novel. But the main focus is on two miserable mid-40s detectives assigned to "clear"—by fakery, if necessary—the strange Sunset Blvd. murder of movie-studio chief Nigel St. Claire: Al Mackey, who's alcoholic, suicidal, sloppy, much-divorced, recently impotent; and cool, neat Martin Welborn, who's suffering from a marital separation and haunted by two of his cases (the murder of an informer, a horrid child-mutilation). So Mackey and Welborn start sleuthing around the movie studio. But their main clues are soon coming instead from farcically coincidental cases pursued by other cop-teams. . . like vicious narcs "Ferret" and "Weasel" or sadistic "street monsters" Buckmore Phipps and Gibson Hand. And these clues—involving a hustler/model (a pseudo-naive Marine), a teenage-runaway hooker, and other sleazy types—suggest that St. Claire had teamed up with a mystery man (in a Bentley) to recruit actors for kiddy porn. . .or maybe even a snuff movie. Yes, Hollywood's foulness is the theme here—as becomes blatantly clear when Mackey and Welborn attend (undercover) a big movie-world party: the guests mix their "metaphors of sex and money like a horde of hookers"; Mackey winds up with a revolting masochist who demands that he handcuff her ("I'm helpless, you filthy gorilla of a rapist!"); and Welborn falls for an actress. . .whose career-over-love attitude will help edge him into suicide. Serious stuff. Unfortunately, however, Wambaugh's mixture of cartoon-violence, station-house satire (a blowhard captain named Woofer), and emotional matters doesn't quite work this time around; the alcoholic cop in The Black Marble was more engaging and tragic than either of the similarly burned-out basket cases here. And the mystery plot itself goes nowhere fast. Still, those who reveled in The Choirboys' neanderthal hijinks will probably not be disappointed (there are chases, practical jokes, and one really disgusting slapstick sequence). And even more discriminating readers—who'll be annoyed by the overkill, the messy plotting, and the jarring shifts in tone—will continue to be impressed by Wambaugh's pungent dialogue and garishly convincing details.
Pub Date: June 15, 1981
ISBN: 0553272594
Page Count: -
Publisher: Morrow/HarperCollins
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: June 1, 1981
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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