More gross-out adventures, Wambaugh-style, at the L.A. Police Department—with a murder investigation in Hollywood and side-trips into narcotics, kiddy porn, massage parlors, transvestitism, and police brutality. Again, like The Choirboys, this is more a montage of grotesque/grim/comic vignettes than a novel. But the main focus is on two miserable mid-40s detectives assigned to "clear"—by fakery, if necessary—the strange Sunset Blvd. murder of movie-studio chief Nigel St. Claire: Al Mackey, who's alcoholic, suicidal, sloppy, much-divorced, recently impotent; and cool, neat Martin Welborn, who's suffering from a marital separation and haunted by two of his cases (the murder of an informer, a horrid child-mutilation). So Mackey and Welborn start sleuthing around the movie studio. But their main clues are soon coming instead from farcically coincidental cases pursued by other cop-teams. . . like vicious narcs "Ferret" and "Weasel" or sadistic "street monsters" Buckmore Phipps and Gibson Hand. And these clues—involving a hustler/model (a pseudo-naive Marine), a teenage-runaway hooker, and other sleazy types—suggest that St. Claire had teamed up with a mystery man (in a Bentley) to recruit actors for kiddy porn. . .or maybe even a snuff movie. Yes, Hollywood's foulness is the theme here—as becomes blatantly clear when Mackey and Welborn attend (undercover) a big movie-world party: the guests mix their "metaphors of sex and money like a horde of hookers"; Mackey winds up with a revolting masochist who demands that he handcuff her ("I'm helpless, you filthy gorilla of a rapist!"); and Welborn falls for an actress. . .whose career-over-love attitude will help edge him into suicide. Serious stuff. Unfortunately, however, Wambaugh's mixture of cartoon-violence, station-house satire (a blowhard captain named Woofer), and emotional matters doesn't quite work this time around; the alcoholic cop in The Black Marble was more engaging and tragic than either of the similarly burned-out basket cases here. And the mystery plot itself goes nowhere fast. Still, those who reveled in The Choirboys' neanderthal hijinks will probably not be disappointed (there are chases, practical jokes, and one really disgusting slapstick sequence). And even more discriminating readers—who'll be annoyed by the overkill, the messy plotting, and the jarring shifts in tone—will continue to be impressed by Wambaugh's pungent dialogue and garishly convincing details.
Pub Date: June 15, 1981
ISBN: 0553272594
Page Count: -
Publisher: Morrow/HarperCollins
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: June 1, 1981
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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