An imagined tale of Francis of Assisi as a boy doing good foreshadows later saintly activities.

His Nonna, his Babbo, his Mamma and the maid are all still asleep, but Francis moves quietly in the dawn. Everyone is tired from staying up the night before, worrying about the she-wolf threatening the town and the livestock. When Francis goes out to tend the animals, he sees the shadow of the wolf. He brings the wolf an egg and some goat’s milk in a bowl, and she departs, leaving child and farm animals in peace, a presaging of the older Francis’ actions in the legend of the Wolf of Gubbio. Nobisso laces her telling with a surfeit of modifiers. The wolf has “intelligent eyes,” a “magnificent head” and “muscular ears nimbly twitching.” Hyde’s oil paintings are beautiful in a soft-focus kind of way, although they reflect a more High Renaissance style than Francis’ late-12th-century boyhood. Full-page images are bordered with leaves, flowers and geometric patterns, and the palette is ash rose, stone and gold. Nobisso’s dedication is in Italian, to her aunts and cousins, and while the few Italian words in the text are fairly clear, it is too bad she does not note that Nonna is Grandma and Babbo is Daddy.

Heartfelt, if florid.   (creators’ note, author’s postscript) (Picture book/religion. 5-8)

Pub Date: Nov. 1, 2011

ISBN: 978-0-940112-20-9

Page Count: 32

Publisher: Gingerbread House

Review Posted Online: Sept. 11, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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A mildly stimulating and challenging exploration of the holiday.


An alphabet book employs a series of riddles and puzzles to engage children in the recognition of the various aspects of the Passover holiday.

An initial search to find all the letters in a double-page illustration features a typical table set for the Seder meal. This is followed by 24 rhymed questions posed in alphabetical order that present a variety of customs, symbols, characters, and concepts of the holiday. For example, the letter B is represented by “Baby Moses,” and readers are asked to choose the correct boat used to float the baby on the Nile. Children are offered a multiple-choice assortment of picture clues that are drawn in a clear, simple cartoon style. In the case of Moses, the vessels include a leaf, a cardboard box, a woven basket, an inner tube, a rowboat, and a rubber ducky. Some of the inquiries are straightforward or obvious for the holiday, while others, such as the page that addresses slavery, require some thinking and possible discussion. A variety of methods are also used to achieve the answers, such as solving a maze and reading a map. Others may require actual knowledge of the subject posed, such as the one on the 15th of Nisan, the Hebrew day and month that Passover begins. Together these short games can be used as an impetus to discuss the holiday's story and significance or to retell its various aspects.

A mildly stimulating and challenging exploration of the holiday. (author’s note, answer key) (Picture book/religion. 5-8)

Pub Date: Feb. 1, 2016

ISBN: 978-1-4677-7843-5

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Feb. 1, 2016

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An average version of an extraordinary tale.



Mora retells the story of Our Lady of Guadalupe.

On a cold day in December, Rose and her friend Terry are visiting Rose’s Grandma Lupita. After teaching Terry how to make paper flowers, the older woman begins telling them the story of the Lady of Guadalupe. The author keeps the tale simple enough for the book’s intended early-elementary audience, as she relates how the poor Juan Diego first met the Lady on Tepeyac Hill, outside of what is now Mexico City. Juan Diego follows the Lady’s request to go to the bishop and “ask him to build a special church for her on the hilltop.” The bishop requests a sign, which the Lady eventually provides to Juan Diego in the form of roses and her image on his tilma (cloak). The story returns to the present day, and Grandma Lupita and the girls share rose cookies in her kitchen. Although framing the famous Mexican story within a modern-day setting may appeal to some readers, doing so also removes some of the tale’s potency and leaves the text riddled with quotation marks. While vividly colored, the artwork by Johnson and Fancher often falls flat in the frame story, though placing the illustrations of the tale-within-the-tale within colorful borders is a nice feature.

An average version of an extraordinary tale. (author’s note) (Picture book/religion. 5-8)

Pub Date: Dec. 11, 2012

ISBN: 978-0-375-86838-2

Page Count: 40

Publisher: Knopf

Review Posted Online: Oct. 24, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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