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LOVE AND FIRST SIGHT

Thought-provoking and insightful.

Sundquist (We Should Hang Out Sometime, 2014) explores blindness and sight in his first novel.

Aspiring to be "the Stevie Wonder of journalism," white, congenitally blind Will Porter is confident that mainstreaming into high school at 16 will be a snap. But things get awkward when he falls for Cecily, an artistic, evasive white girl with a knack for explaining visual concepts. Soon, Will learns that he has the opportunity to gain eyesight via experimental retinal stem-cell implants. His difficult decision sensitively explores disability and its influence on identity. The author's research shows; there are frequent explanations of eyesight and its relationship to the brain. That information is critical for understanding the disorientation and frustration that Will experiences upon gaining eyesight. Sight requires him to learn colors, shapes, and perspective as if he's just been born—which, in a sense, he has. Such surprises as racial differences (when he sees African-American pal Whitford for the first time he thinks, “What’s the fuss about?”), paintings, and a "counterintuitive" snowstorm prompt interesting reflections, and his new perspective is tested when he realizes that Cecily's appearance significantly differs from his cheerfully nerdy new friends' descriptions of her. The juxtaposition of blindness with (not) judging by appearances is common, but the author gives depth to the trope by highlighting the betrayal Will feels at the exploitation of his blindness. The resolution is optimistic yet realistically open-ended.

Thought-provoking and insightful. (author's note) (Romance. 13-18)

Pub Date: Jan. 3, 2017

ISBN: 978-0-316-30535-8

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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