A thoroughly original take on the experience of being a kid, and wishing the whole baffling business of growing and changing...
Childhood and its discontents, in a harrowing debut collection of ten subtly interrelated stories.
New York City playwright Furst begins with a nicely understated contrast between two six-year-old playmates: budding paleontologist Billy and imaginative, fantasy-driven Jason (“The Age of Exploration”)—each of whom secretly fears and envies the other’s distinctive qualities. Interludes between succeeding pieces offer terse vignettes of various children’s experiences of parental neglect or abuse: they’re in effect commentaries on the longer stories, whose relationship to them isn’t clarified until the penultimate tale “Failure to Thrive,” in which a maternity ward nurse reveals the extent and chilling nature of the compassion she feels for infants who are doomed to lives of unfulfillment and sorrow. Elsewhere, Furst creates scathing character portrayals of a teenaged girl on the threshold of adult sexuality (“She Rented Manhattan”); an absentee dad whose infrequent romps with his several children reveal both his charm and his heartlessness (“Red Lobster”); a hilariously foulmouthed Boy Scout hell-bent on becoming as “cool” as his unpredictable older buddy (“Merit Badge”); and an amorous boy helplessly attracted to a girl who’s burdened and empowered by her intense femininity (“Mercy Fuck”). The two best stories portray a “family in crisis” brought on by its well-meaning father’s “progressive” imperatives (no TV, no toys) and inability to empathize with his harried wife’s failure to control either their kids or her own maternal and sexual demons (“The Good Parents”); and a fledgling born-again Christian (nine-year-old Shawn of “This Little Light”) for whom baptism and confirmation turn into a fervent “literal interpreter, for whom actions, thoughts, and beliefs have palpable, cut-and-dried consequences,” and who can forget neither his own nor his parents’ human failings.
A thoroughly original take on the experience of being a kid, and wishing the whole baffling business of growing and changing would just go away.Pub Date: June 6, 2003
ISBN: 0-375-41431-2
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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