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JOE'S COLLECTANEA

A mixed bag of musings from a spirited poet.

Omeke, a Nigerian writer, offers a philosophical book of poems.

The author explores culture, spirituality, and emotion in this poetry collection. He opens with “Danilo the Farm Boy,” a pastoral poem about a lad tasked with everything from consoling mules and cleaning up after cows to plowing fields and scattering seeds. In “A Coloured Dream,” the speaker must reconcile himself to living in a land whose people persecuted his ancestors; ultimately, he adopts their capitalist ways, deciding that “life is a dish best served rich.” The poet honors the strength of migrants and their harrowing journeys in “Flies of Wilderness.” In a direct address to the tobacco plant (“Grass of our Time”), a conflicted speaker observes, “Look at how fragile you are, / With a twist I can break you, yet you control my life.” Omeke struggles with the nature of love in one poem and applauds the utility of composure in another. The author recalls the Covid-19 pandemic (“The first time we’d saved the world by staying at home and watching television every day”), concluding that “it has helped us to realise that the things we fight for or desire badly do not have as many values as they seem” (“Plague in Our Waves”). Enticed by credit cards, a speaker in “Credit Score” contemplates the juxtaposition of “the feeling of buying all I can, / Until the end of the month when the bill comes in.”

Omeke has a knack for sensory detail; each scene evokes the senses, from the “poo marshes” and “urine smells” of a farm (“Danilo the Farm Boy”) to a lover “sweet as a mild croissant crested with chocolate” with nails “finely maintained as the talon of a hawk” (“Romance in Poetry”). The poet compassionately captures the plight of migrants, writing of those “weary souls, a desperate flight, their hearts aflame, / seeking a glimmer of light. / In lands unknown, they forge a path anew, / leaving behind what once they knew” (“Flies of Wilderness”). He also infuses his writing with hope; in “Haunted Shadow,” he advises, “If the dreams get shattered, / Rearrange them and do not cry.” At times, the author appears to have a tenuous grasp of the English language—the poems can read nonsensically with lines such as, “I heard when your love profuse on a flower, you make it grow into a garden, / And when it likes a flower, you pluck it for your piggy self” (“Long Lost Love”). Other verses are coherent but downright silly, such as the humble boast in “A Coloured Dream”: “You know it is armani, yes, I spent my money.” The heavy-handed religiosity in lines such as “My soul pants for you Lord, and my flesh longs for you” (“My Body My Mind”) may turn off non-religious readers. Occasionally, the author gets preachy, making observations such as “No one alive can take a mother’s place, even in her grave, / It is a shame that we fail to spend time with them as we age” (Daily Dose of a Mother’s Influence”).

A mixed bag of musings from a spirited poet.

Pub Date: Oct. 29, 2023

ISBN: 9798865317609

Page Count: 55

Publisher: Harmony Publishing Ltd.

Review Posted Online: March 26, 2024

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

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A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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