A masterful blend of journalism, sports history, social history and even literature: one of the best baseball books to...
Say it ain’t so, Leo: an iconoclastic, most penetrating look at a famed 1951 clash between the New York Giants and the Brooklyn Dodgers.
Both teams long ago “deserted New York together,” remarks Wall Street Journal writer Prager, yielding existential trauma yet unhealed. Well before leaving, on Oct. 3, 1951, their storied rivalry played itself to perfection in a pennant race to end all pennant races, “deadlocked after 156 games, seven innings and six months.” It was, Prager writes, something that adults of a certain age would remember as surely as they did the death of JFK or FDR: Dodger Ralph Branca fires a fastball, Giant Bobby Thomson steps forward to swat it out of the park halfway to the moon, the Giants win. The moment is instantly celebrated as the greatest moment in baseball history, immortalized in novels by Philip Roth and Don DeLillo, in The Godfather and The Simpsons. Problem was, as Prager revealed on the 50th anniversary of the grand smack, Giants manager Leo Durocher, of fabulously foul mouth (“I never saw a fucking ball get out of a fucking ball park as fucking fast in my fucking life,” he said of one Willie Mays homer), had stolen signals, employing spies with a telescope to suss out what the opposition was planning next. Durocher wasn’t even the most masterful signal-stealer in the business, and it happened all the time, but he was also a gambler so profoundly compromised as to make Pete Rose look like a Brownie, and some writers have suggested that he be booted from the Hall of Fame for it. The whole affair was a black smudge on the game—and, as Prager patiently reveals, a dirty and tragic secret that would haunt both Thomson and Branca for decades to come.
A masterful blend of journalism, sports history, social history and even literature: one of the best baseball books to appear in a long time.Pub Date: Sept. 19, 2006
ISBN: 0-375-42154-8
Page Count: 496
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
BOOK REVIEW
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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