Worldbuilding and characterization are the highlights of this inventive post-apocalyptic adventure.

MERIDIAN

This sequel to Arclight (2013) continues the apocalyptic story of a colony that has survived an invasion of nanites that absorbed most of the human race.

Marina keeps a great secret: Her alter ego, Cherish, a Fade, survives inside her. As explained in the previous book, the Fade are threatening creatures who absorb humans with only a touch, streaming their nanites into human bodies and joining them to the hive, a collective mind in which every Fade can hear all others and operate as one. The Fade cannot stand light, so to protect themselves, the humans live on a former military base surrounded by strong lights. In this sequel, the real threat comes from a wild colony of nanite creatures that’s trying to overwhelm the civilized Fade along with the rest of the world. When a group that includes Marina and her friend Tobin makes an excursion outside the compound, they find more human survivors—and the wild creatures of the Dark. McQuein embraces the vision of her apocalyptic world, communicating it to readers by simply plunging them into it as she unfolds the story. Though the lack of exposition may trip them up at first, readers will begin piecing the puzzle together, a process aided by nicely rounded characterizations. By the time of the highly suspenseful climax, all will become clear.

Worldbuilding and characterization are the highlights of this inventive post-apocalyptic adventure. (Science fiction. 12-18)

Pub Date: April 22, 2014

ISBN: 978-0-06-213017-4

Page Count: 464

Publisher: Greenwillow Books

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

No Comments Yet

Engrossing, contemplative, and as heart-wrenching as the title promises.

Reader Votes

  • Readers Vote
  • 29

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

Did you like this book?

No Comments Yet
more