An elusive but enchanting work by one of America’s greatest authors.

THE CHANGELING

Beloved by some, maligned by others, Williams’ (The Visiting Privilege, 2015, etc.) second novel, first published in 1978, has a new 40th-anniversary edition.

We meet Pearl and her infant son, Sam, in a Florida bar. Pearl is drinking gin and tonics and having thoughts like this: “You cannot keep things the way they are. They go away. They change. There has never been an exception to this rule. No mercy has ever been shown.” She's running from her husband, Walker, on whose family’s private Northeastern island she has spent the previous year. She’s running because she does not want Sam raised under the influence of Walker’s brother, Thomas, a sinister “man of the world” who raises children (“a dozen…more or less”—none biologically his) “according to his interests.” Pearl, however, wants Sam “to be a simple child, her child. Not like the others...” who seem “like deadly little flowers to Pearl, budding Satans, quoting Dante before they lost their baby teeth.” But, drinking in the bar in Florida, Pearl knows that “Walker would find her.” She is correct. After Walker’s “caress [pushes] her halfway across the room,” they board a flight back north. But, in a classic Williams turn, the plane crashes into the Everglades, Walker is killed, and Pearl returns to the family's island with a child who may be Sam but may be some other, less-loving child—one infant exchanged for another in the aftermath of the crash. What follows is part fable and part drunken nightmare. (Indeed, the novel seems to intentionally defy categorization; one can never be sure that the register with which you’re reading is the register with which the book wants to be read.) It is a loose and uneasy tale of violence, innocence, childhood, motherhood, alcoholism, grief, origins, endings, comedy, murder, metamorphoses, and God. If that sounds like a lot, it is; but when a writer works with sentences like these, she can do what she wants: “Her feeling…was curved as a ball, a belly, a noose. There was no beginning to it. No end. Come unbidden. Part pain. Part comfort. That was love….To love was only to understand death.”

An elusive but enchanting work by one of America’s greatest authors.

Pub Date: April 10, 2018

ISBN: 978-1-941040-89-8

Page Count: 336

Publisher: Tin House

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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