Short, sharp shots (many of them aimed at sensuality and love) from the master of moody foreboding. Most of the 44 stories collected here are very short—no more than two or three pages—and treat an intimation of greed, lust or death arising from a minor (or, since Oates sometimes scorns plot, minimized) event. In "The Boy," a teacher intends to seduce a student who has been mooning over her, but instead avenges herself lustily for an unsatisfying life. In "Photographer's Model," an uncle's predilection for photographing his niece as a child has the result of making her perverse—in fact, a whore. When 15-year-old Junie's Momma in "Mule" takes a new lover who—like the lovers before him—soon begins to bang at windows and slap Momma around (evidently out of crazed desire for her "creepy" breasts), this time Junie herself dons high heels and leaves her mother to threatened suicide; like Momma's lover in a story he tells, she'll dive into the stream of life and take a good look at the corpse of a mule rotting there. In fact, fever, decay, nausea, protuberance, and intimations of mortality lead the way to dusty irony in many of these sketches, only some of which strike any target. As in the title story, "The Assignation" ("She rubs her body with hand lotion, breasts, buttocks and thighs, belly, legs. She's hypnotized by the feel of so much fleshy flesh"), the target is usually a solipsistic and a shadowy self, dreaming of an outside world. Vintage Oates—always interesting, though not always pleasant.
Pub Date: Sept. 1, 1988
ISBN: 0880014407
Page Count: 208
Publisher: Norton
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Aug. 15, 1988
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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