by Joyce Carol Thomas & illustrated by David Diaz ‧ RELEASE DATE: May 1, 2004
Those who love reading tales with Cinderella motifs will no doubt want to have this one, however disappointing it might be. Set in a southern swamp, the story revolves around the competition for a place in a gospel choir rather than marriage to a prince. Queen Mother Rhythm loses her infant daughter during a hurricane. Rescued by “Crooked Foster Mother” (a poor choice of names), she lives the typical Cinderella life with the mean twin sisters, Hennie and Minnie, and their mother. She can sing; they cannot. Then they learn that Queen Mother Rhythm is about to retire and she needs someone to take her place as lead singer. The ending is predictable and follows the basic folkloric story structure. But Thomas’s telling, despite moments of soulful jive, mostly clumps along without charm. Diaz’s use of rich bold colors of purples, pinks, and leafy greens in strikingly patterned illustrations is spirited and beautiful, but is not enough to redeem the lackluster text. (Picture book. 5-9)
Pub Date: May 1, 2004
ISBN: 0-06-025387-8
Page Count: 40
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
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by Misty Copeland ; illustrated by Setor Fiadzigbey ‧ RELEASE DATE: Sept. 29, 2020
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.
A young ballerina takes on her first starring role.
Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-399-54764-5
Page Count: 32
Publisher: Putnam
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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by Valeri Gorbachev ; illustrated by Valeri Gorbachev ‧ RELEASE DATE: Feb. 1, 2016
An early reader that kids will want to befriend.
In an odd-couple pairing of Bear and Chipmunk, only one friend is truly happy to spend the day at the beach.
“Not me!” is poor Chipmunk’s lament each time Bear expresses the pleasure he takes in sunning, swimming, and other activities at the beach. While controlled, repetitive text makes the story accessible to new readers, slapstick humor characterizes the busy watercolor-and-ink illustrations and adds interest. Poor Chipmunk is pinched by a crab, buried in sand, and swept upside down into the water, to name just a few mishaps. Although other animal beachgoers seem to notice Chipmunk’s distress, Bear cheerily goes about his day and seems blithely ignorant of his friend’s misfortunes. The playful tone of the illustrations helps soften the dynamic so that it doesn’t seem as though Chipmunk is in grave danger or that Bear is cruel. As they leave at the end of the book Bear finally asks, “Why did you come?” and Chipmunk’s sweet response caps off the day with a warm sunset in the background.
An early reader that kids will want to befriend. (Early reader. 5-7)Pub Date: Feb. 1, 2016
ISBN: 978-0-8234-3546-3
Page Count: 24
Publisher: Holiday House
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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