by Joyce Egginton ‧ RELEASE DATE: Dec. 1, 1994
A shattering real-life Hand That Rocks the Cradle account, by veteran true-crime writer Egginton (Day of Fury, 1991, etc.). The facts of this grisly case are still fresh in our collective memory: On December 11, 1991, three-month-old Kristie Fischer was incinerated in her infant seat as her Westchester, N.Y., home was set ablaze. The baby's nanny, an oddly impassive 20- year-old Swiss au pair named Olivia Riner, was immediately charged with arson and murder. Olivia became a tabloid celebrity as her telegenic lawyer, Laura Brevetti, took her case to the TV cameras on a nightly basis, leaking deceptive videotapes and dropping hints that two members of the Fischer family were responsible for the baby's death. Olivia was eventually acquitted, thanks to the borderline-unethical tactics of Brevetti, slipshod work by an underfunded police department, and a lame courtroom performance by the Westchester DA. The author confides that she began her research convinced of Olivia's innocence, but ``in the painstaking process of probing and unravelling, a different set of truths emerged.'' Egginton persuasively details a slew of circumstantial evidence suggesting Olivia's guilt, including her singed eyelashes, her failure to attempt to rescue Kristie, her indifference to the baby's fate after the fire, and her conflicting accounts of her actions before the fire. Egginton even hazards a surprising guess as to Olivia's motive for the crime (based on a study of 19th- century nannies performed by philosopher Karl Jaspers when he was a medical student): homesickness for Switzerland. This searing study of justice miscarried compassionately portrays the Fischer family struggling to deal with a horrific crime, the media, and a legal system that would ultimately betray them. The author asks some big questions, one of which will ring especially loudly in the ears of 10 million working women with children: ``How well does any mother truly know her nanny?'' Deeply disturbing and utterly convincing.
Pub Date: Dec. 1, 1994
ISBN: 0-688-10564-5
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
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