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THE MONSTER ON THE ROAD IS ME

A confident debut that is at once ominous and laugh-out-loud funny.

A high school student in modern-day Japan must defeat vengeful mountain demons using powers he never knew he had in this uproariously offbeat debut novel.

Koda Okita is not a typical 15-year-old Japanese high school student. The son of aging shiitake farmers, he dreams of being a pilot despite suffering from narcolepsy, a condition that requires him to wear a watermelon-sized helmet while riding his bike. Koda lives in the small island town of Kusaka, situated in the middle of nowhere between two mountain ranges. The isolated setting heightens the tension that builds as students and faculty of Kusaka High School begin to die in a series of apparent suicides under inexplicable circumstances. Their deaths coincide with the appearance of Moya, a mysterious new girl who is convinced that Koda holds the key to unraveling the tragic events unfolding in Kusaka. As Koda gradually realizes that his narcoleptic episodes are actually supernatural experiences that allow him to "steal" the traumatic memories of others, he takes this knowledge in stride, along with the existence of tengu, the supernatural creatures who are the culprits behind the town's misfortunes. Romney's tale of modern-day Japan crossed with Japanese folklore is suffused with abundant humor, as his wisecracking teens navigate situations fraught with dark and dramatic irony.

A confident debut that is at once ominous and laugh-out-loud funny. (Fiction. 14-18)

Pub Date: Aug. 30, 2016

ISBN: 978-0-374-31654-9

Page Count: 334

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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