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EVERY BOAT TURNS SOUTH

White rings some compelling changes in a convoluted tale that leads to Matt’s redemption.

Boy meets boat; boy meets girl; boy meets another girl; boy meets cocaine; boy loses boat—it’s complicated…

Matt Younger is the kind of guy trouble seeks out, owing mainly to his unusual and adventurous choices. After a 13-year hiatus from home, he’s come back in a confessional mode. He wants to tell his dying father Skip about his adventures during this time, but also about his complicity in the drowning of older brother Hale, a golden boy, star athlete and potential Olympian who had an untamed side of which their parents were ignorant. Skip is on his deathbed, and Matt takes over his mother’s duties as night nurse. The narrative alternates between Matt’s solicitude for his unforgiving (and semi-conscious) father and flashbacks to the period after he dropped out of high school in the wake of Hale’s death. Sailing Sam Wells’ 40-foot trimaran Stardust from Key West to St. Thomas, Matt gets stranded in the Turks and Caicos; he misses the Trades shift by one day, and the intractable winds are likely to keep him there for several months. About this time he encounters two characters who will irrevocably alter his life: cocaine dealer Jimmy Q and femme fatale Jenny. Jimmy Q persuades Matt to do an “easy” cocaine pickup, but Matt plans a complicated and dangerous hat trick to double-cross Jimmy Q, steal the cocaine and also steal Sam’s boat. To muddle things still further, Matt then meets and falls in love with Rosario, who has an unknown agenda of her own. Metaphorically caught between two women, he winds up getting literally caught by a corrupt comandante in the Dominican Republic.

White rings some compelling changes in a convoluted tale that leads to Matt’s redemption.

Pub Date: Sept. 1, 2009

ISBN: 978-1-57962-188-9

Page Count: 240

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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