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AUTOPSY ON AN EMPIRE

OBSERVING THE COLLAPSE OF THE SOVIET UNION

Perhaps nobody outside the ranks of the Politburo could give a more authoritative account of the collapse of the Soviet Union than Matlock, US ambassador from 1987 to 1991, who left Moscow a week before the attempted coup that ended the Soviet Union. Matlock, a fluent Russian speaker who traveled widely throughout the Soviet empire, analyzes dispassionately the tensions within the system: Gorbachev's initial belief that there was no contradiction between party control and democratization; the growing realization that reform was impossible without an improvement in US-Soviet relations; the woeful misinformation of the Soviet leadership about opinion in Eastern Europe; and the often bitter rivalry between Gorbachev and Yeltsin. Matlock believes that the fundamental reason for the fall of the Soviet Union was the coincidence of a Western policy that combined strength and a willingness to negotiate fairly, with a Soviet leadership that realized it had to change. He gives candid accounts of the major participants: Gorbachev, who despite his intellectual arrogance, his inclination to surround himself with mediocre associates, and his fatal gullibility about the KGB, will be regarded, in Matlock's view, as the man who led Russia out of bondage, even if he was unable to reach the Promised Land; Yeltsin, who, though often boorish and childish, ``preserved the possibility of developing democracy in Russia when that cause was under mortal threat''; President Reagan, with his ``instinctive confidence'' that he could make a difference; and President Bush, ``uncomfortable with change. . . . He always seemed just a step behind.'' Ultimately, he believes that the US and other democratic countries were major factors in bringing about the end of Soviet communism, as a result not so much of their policies but of their very existence. While the book is not always felicitously organized and lacks the vividness of David Remnick's Lenin's Tomb, it is hard to believe that any major participant will provide a more important or objective contemporaneous account. (16 pages b&w photos, not seen) (Author tour)

Pub Date: Nov. 3, 1995

ISBN: 0-679-41377-4

Page Count: 848

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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