Next book

AUTOPSY ON AN EMPIRE

OBSERVING THE COLLAPSE OF THE SOVIET UNION

Perhaps nobody outside the ranks of the Politburo could give a more authoritative account of the collapse of the Soviet Union than Matlock, US ambassador from 1987 to 1991, who left Moscow a week before the attempted coup that ended the Soviet Union. Matlock, a fluent Russian speaker who traveled widely throughout the Soviet empire, analyzes dispassionately the tensions within the system: Gorbachev's initial belief that there was no contradiction between party control and democratization; the growing realization that reform was impossible without an improvement in US-Soviet relations; the woeful misinformation of the Soviet leadership about opinion in Eastern Europe; and the often bitter rivalry between Gorbachev and Yeltsin. Matlock believes that the fundamental reason for the fall of the Soviet Union was the coincidence of a Western policy that combined strength and a willingness to negotiate fairly, with a Soviet leadership that realized it had to change. He gives candid accounts of the major participants: Gorbachev, who despite his intellectual arrogance, his inclination to surround himself with mediocre associates, and his fatal gullibility about the KGB, will be regarded, in Matlock's view, as the man who led Russia out of bondage, even if he was unable to reach the Promised Land; Yeltsin, who, though often boorish and childish, ``preserved the possibility of developing democracy in Russia when that cause was under mortal threat''; President Reagan, with his ``instinctive confidence'' that he could make a difference; and President Bush, ``uncomfortable with change. . . . He always seemed just a step behind.'' Ultimately, he believes that the US and other democratic countries were major factors in bringing about the end of Soviet communism, as a result not so much of their policies but of their very existence. While the book is not always felicitously organized and lacks the vividness of David Remnick's Lenin's Tomb, it is hard to believe that any major participant will provide a more important or objective contemporaneous account. (16 pages b&w photos, not seen) (Author tour)

Pub Date: Nov. 3, 1995

ISBN: 0-679-41377-4

Page Count: 848

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview