by J.R. Moehringer ‧ RELEASE DATE: Sept. 7, 2005
A straight-up account of masculinity, maturity and memory that leaves a smile on the face and an ache in the heart.
It takes a gin mill to raise a child—or so one might think from this memoir filled with gladness by a Pulitzer Prize–winning Los Angeles Times correspondent.
In the early ’70s, grade-schooler Moehringer lived with his mother in her father’s house in Manhasset, a small town 17 miles east of Manhattan that F. Scott Fitzgerald used as the setting for The Great Gatsby. Listening to the radio for his absent father (a drunken deejay), puzzled by his slovenly grandfather, the boy had no male role models until Uncle Charlie took him to the local saloon where he bartended. Moehringer evokes the sights, sounds and smells that gave Publicans (originally known as Dickens) its sodden charm: not just the beer and the fund of coins accumulating in the urinal, but the “faint notes of perfumes and colognes, hair tonics and shoe creams, lemons and steaks and cigars and newspapers, and an undertone of brine from Manhasset Bay.” Sporting Runyonesque nicknames like Bob the Cop, Cager, Stinky, Colt, Smelly, Jimbo, Fast Eddy and Bobo, the bar’s denizens included poets, bookies, Vietnam vets, lawyers, actors, athletes, misfits and dreamers, all forming “one enormous male eye looking over my shoulder.” Moehringer captures in all its raunchy, often hilarious glory the conversations of these master storytellers, as intoxicated by words as by alcohol. Their saloon community later provided a retreat for the author following a disastrous collegiate love affair and failure as a New York Times copyboy. The 1989 death of charismatic owner Steve began Publicans’ demise, but also propelled 25-year-old Moehringer into growing up, as he left his buddies behind and began his journalism career anew out West.
A straight-up account of masculinity, maturity and memory that leaves a smile on the face and an ache in the heart.Pub Date: Sept. 7, 2005
ISBN: 1-4013-0064-2
Page Count: 384
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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BOOK TO SCREEN
BOOK TO SCREEN
by Oliver Sacks ‧ RELEASE DATE: Nov. 24, 2015
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Ross Gay ‧ RELEASE DATE: Feb. 12, 2019
An altogether charming and, yes, delightful book.
A collection of affirmations, noncloying and often provocative, about the things that make justice worth fighting for and life worth living.
Gay—a poet whose last book, the winner of the National Book Critics Circle Award, bears the semantically aligned title Catalog of Unabashed Gratitude (2015)—is fully aware that all is not well in the world: “Racism is often on my mind,” he writes by way of example. But then, he adds, so are pop music, books, gardening, and simple acts of kindness, all of which simple pleasures he chronicles in the “essayettes” that make up this engaging book. There is much to take delight in, beginning with the miraculous accident of birth, his parents, he writes, a “black man, white woman, the year of Loving v. Virginia, on a stolen island in the Pacific, a staging ground for American expansion and domination.” As that brief passage makes clear, this is not a saccharine kind of delight-making but instead an exercise in extracting the good from the difficult and ugly. Sometimes this is a touch obvious: There’s delight of a kind to be found in the odd beauty of a praying mantis, but perhaps not when the mantis “is holding in its spiky mitts a large dragonfly, which buzzed and sputtered, its big translucent wings gleaming as the mantis ate its head.” Ah, well, the big ones sometimes eat the little ones, and sometimes we’re left with holes in our heads, an idiom that Gay finds interesting if also sad: “that usage of the simile implies that a hole in the head, administered by oneself, might be a reasonable response.” No, the reasonable response is, as Gay variously enumerates, to resist, enjoy such miracles as we can, revel in oddities such as the “onomatopoeicness of jenky,” eat a pawpaw whenever the chance to do so arises, water our gardens, and even throw up an enthusiastic clawed-finger air quote from time to time, just because we can.
An altogether charming and, yes, delightful book.Pub Date: Feb. 12, 2019
ISBN: 978-1-61620-792-2
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 12, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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