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COLLISION AT HOME PLATE

THE LIVES OF PETE ROSE AND BART GIAMATTI

A collision indeed—an atomic explosion of sorts—as intelligence, grace, and arrogance (Giamatti) meet stupidity, sweat, and arrogance (Rose), with fallout that will affect the world of baseball for decades to come. Reston (The Lone Star: The Life of John Connally, 1989, etc.) has tried before to weave two different stories into a seamless whole, in his Sherman's March and Vietnam (1984), with bumpy results. Here, he succeeds brilliantly. Let's credit his two protagonists, perfect examples of America's social and moral stratification. In this corner: Rose the ruffian, a lout from the Cincinnati riverbanks, a poor student, ``loud and vulgar,'' increasingly drawn to the world of vice (gambling, adultery, smuggling, the company of coke dealers) as he grew older. In the other corner: Giamatti the scholar, Yale valedictorian, Renaissance expert, a lover of dignified poses, ``inordinately interested in punishing transgressors'' both as Yale President and as Commissioner of Baseball. Yet an obsessive, childish love for baseball united these two men: Giamatti treasured the game as the epitome of human elegance, while Rose declared that ``I'd walk through hell in a gasoline suit to keep playing baseball.'' Reston paints the life of each, two upward curves reaching their apex as Rose sets a new baseball-hit record, and Giamatti then defends the national honor by banning the gambling-crazy Rose from baseball forever. Best of all, Reston canonizes neither figure: Rose comes off as Fred Flintstone with an attitude; Giamatti as Mr. Clean-Jeans, a dignified man whose flaw was to care more about image than fairness. Now Giamatti is dead, Rose a convicted felon just released from the pen—and the public wonders when the tarnish will wear off the national pastime. A sorry story, told with guts and verve.

Pub Date: June 5, 1991

ISBN: 0-06-016379-8

Page Count: 336

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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