A skillful but overstuffed collection of poems.
A volume offers two decades of poetry by a prolific writer.
Solonche’s poems focus on small fascinations and random objects, from a favorite corduroy jacket and writings on a bathroom wall to a found pencil and a utility pole. Nothing is too minute or insignificant for him to put into verse. Poems like “Student and Zen Master” and “I Asked the Famous Novelist” provide brief, quirky conversations between the speaker and various individuals. Nature also factors heavily in this collection; the poet portrays a family of geese in the night, frozen lakes in January, and butterflies by the river. Writing is a recurring theme as well; the speaker shares interactions with his students, struggles with writer’s block, and even apologizes to readers for his failings. Love, lust, and sex make occasional appearances, including in “Anniversary,” a poem that catalogs the titular special day, which, after many years in a relationship, turns out to be rather mundane. Another piece contemplates a couple French-kissing on a bench in Washington Square Park. Death and mortality also insert themselves in these poems; “I Want a Fireman’s Funeral” is essentially a list of must-have memorial demands. Solonche is a proficient poet. He consistently captures the magical in the mundane. In “My Daughter Says Goodnight,” he describes that rapid transition of a young child from rambunctiously active to peacefully asleep in a scene any parent will recognize: “I turn over your form / from face-down animal / to two-legged, two-armed person.” He depicts 18-wheelers that “loom up out of nowhere, then spit / their headlights and pass.” But a couple of the poems are a bit off-putting, such as “Two Old Indians,” which features a pair of Native Americans conversing about crows, and “The Feminist Poet,” which reduces the female subject to a wagging tongue and nipples “like the tips of ballpoint pens.” It’s also difficult to justify a collection this large. After 430-plus pages, some readers may wonder why certain poems, like the one in which the speaker pledges his love to the Starbucks mermaid, made the cut.
A skillful but overstuffed collection of poems.Pub Date: April 15, 2021
ISBN: 978-1-94-717551-8
Page Count: 438
Publisher: Serving House Books
Review Posted Online: July 28, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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