A skillful but overstuffed collection of poems.
A volume offers two decades of poetry by a prolific writer.
Solonche’s poems focus on small fascinations and random objects, from a favorite corduroy jacket and writings on a bathroom wall to a found pencil and a utility pole. Nothing is too minute or insignificant for him to put into verse. Poems like “Student and Zen Master” and “I Asked the Famous Novelist” provide brief, quirky conversations between the speaker and various individuals. Nature also factors heavily in this collection; the poet portrays a family of geese in the night, frozen lakes in January, and butterflies by the river. Writing is a recurring theme as well; the speaker shares interactions with his students, struggles with writer’s block, and even apologizes to readers for his failings. Love, lust, and sex make occasional appearances, including in “Anniversary,” a poem that catalogs the titular special day, which, after many years in a relationship, turns out to be rather mundane. Another piece contemplates a couple French-kissing on a bench in Washington Square Park. Death and mortality also insert themselves in these poems; “I Want a Fireman’s Funeral” is essentially a list of must-have memorial demands. Solonche is a proficient poet. He consistently captures the magical in the mundane. In “My Daughter Says Goodnight,” he describes that rapid transition of a young child from rambunctiously active to peacefully asleep in a scene any parent will recognize: “I turn over your form / from face-down animal / to two-legged, two-armed person.” He depicts 18-wheelers that “loom up out of nowhere, then spit / their headlights and pass.” But a couple of the poems are a bit off-putting, such as “Two Old Indians,” which features a pair of Native Americans conversing about crows, and “The Feminist Poet,” which reduces the female subject to a wagging tongue and nipples “like the tips of ballpoint pens.” It’s also difficult to justify a collection this large. After 430-plus pages, some readers may wonder why certain poems, like the one in which the speaker pledges his love to the Starbucks mermaid, made the cut.
A skillful but overstuffed collection of poems.Pub Date: April 15, 2021
ISBN: 978-1-94-717551-8
Page Count: 438
Publisher: Serving House Books
Review Posted Online: July 28, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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