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AS YOU WISH

With three stories told two ways, this third book in Deveraux's Summerhouse series (The Girl from Summer Hill, 2016, etc.)...

Three women sharing a house in Summer Hill, Virginia, use a time-traveling service to rewrite their pasts.

After a therapist conspires to bring Elise, Kathy, and Olivia together to bond over their failed marriages, they spill their secrets in a cheerful cacophony of dialogue: Elise has just fled her cheating husband, Olivia has divorced and remarried, and Kathy doesn’t know it yet, but she’s about to join their club. All three stories are juicy and entertaining. Halfway through, the book takes a sharp turn when the women discover they can go back in time to the moment before it all went wrong by drinking a special tea made from, according to the potion maker, “herbs that help you relax.” In three weeks, they’ll return to the present to see the results. Olivia, a 60-something newlywed, is mourning the years she wasted with her philandering ex instead of marrying her current husband when they met 40 years ago. Twenty-something Elise regrets marrying the man chosen for her by her controlling parents and has a recurring fantasy that her gardener will carry her away on the back of his horse. (A wealthy white woman falling for her Mexican gardener is a cliché, but to Elise’s credit, she looks up from Alejandro’s shirtless torso long enough to learn he has a degree in botany, and he schools her in the process.) Alongside the budding romances, the friendships are in full bloom. Kathy, in her 40s and the curviest woman of the three, worries that the two skinnier women are judging her, but their stories reassure her that heartbreak comes in all sizes—and she goes back in time to change how she feels about herself.

With three stories told two ways, this third book in Deveraux's Summerhouse series (The Girl from Summer Hill, 2016, etc.) is emotional, imaginative, and gloriously silly.

Pub Date: March 6, 2018

ISBN: 978-0-7783-0761-7

Page Count: 417

Publisher: Harlequin MIRA

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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