Humane and helpful, Hellman removes the shrillness from the border debate to show what the crossers do and why they do...
A sympathetic, wide-ranging portrait of the lives of Mexicans on both sides of the border.
Go to the Mexican consulate in Tucson, Ariz., and you’ll be among the few waiting for services; go to the same consulate in New York City, and you’ll join a line a block long. That may seem odd, but to Hellman (Political Science/York Univ.; Mexican Lives, 1994, etc.) it speaks volumes about how central New York has become to border-crossers: “Mexicans—depending on whether we count both documented and undocumented people—have one of the highest, if not the highest, birthrates of any national group in the city.” But why travel so far from the border? For one thing, there are jobs available, even if too many of them require workers to swallow their pride, since protesting unfair conditions can lead to deportation. Yet there are other considerations, Hellman observes. It’s possible to get around by public transportation, which removes the need for private transportation and thus registrations, licenses and other things that require identification. Thus Staten Island and Long Island are full of esquineros, the men who wait on the corner for odd jobs and daily construction work. Meanwhile, down at the border, the Border Patrol is concerned not just with stemming the tide, but with triage. Says one top officer, “economic migrants are just the clutter that we need to brush away so we can get at the really bad guys…meaning the dope smugglers and the people smugglers.” The presence of so many Mexicans may make some Anglos nervous, but their self-appointed guardians in the so-called Minutemen aren’t much help; as critics note, they make big noise but mostly sit in lawn chairs and drink beer while the alambristas hop the fence to become esquineros and do the jobs no one else wants.
Humane and helpful, Hellman removes the shrillness from the border debate to show what the crossers do and why they do it—and why most Americans don’t object to their presence.Pub Date: May 1, 2008
ISBN: 978-1-56584-838-2
Page Count: 288
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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