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CROSSING LINES

HISTORIES OF JEWS AND GENTILES IN THREE COMMUNITIES

A chronicle of Jewish settlement and assimilation in three Maine towns—Bangor, Mount Desert Island, and Calais—during the first half of this century, well told by a sociologist native to the region. By the end of the 19th century, Goldstein says, Bangor was a thriving lumber town and important railway hub. Its few Jewish citizens—mostly Germans who had emigrated during the 1840's and 50's—were unobtrusive, largely nonobservant, and held in high esteem by their Christian neighbors. (The Russian and Polish Jews who arrived later, mostly Orthodox and desperately poor, had a much harder time blending in.) Although Bangor never saw any real persecutions, the author explains, anti-Semitic sentiment among local residents increased as the Jewish population grew. Mount Desert Island, a fashionable summer resort near Bar Harbor, was largely off-limits to Jews of any class during this period: Most of its hotels and clubs had explicit ``restrictions'' forbidding the accommodation of Jews as members or guests. Only the little hamlet of Calais, which made no pretense of fashion or power, seemed untroubled by the newcomers: Its tiny Jewish population included some of the most prosperous and influential members of the community, who moved with ease among the older families of the region. Vivid and insightful, but very small in scope. Historians and sociologists—and, probably, Jews and New Englanders—will find Goldstein's study useful and diverting, but its subject is too narrow for just about everyone else. (Twenty b&w photos—not seen.)

Pub Date: March 20, 1992

ISBN: 0-688-08023-5

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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