ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY

Name: ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY
Author: Judith Viorst
ISBN: 978-0-689-30072-1

by Judith Viorst illustrated by Ray Cruz ‧ RELEASE DATE: June 1, 1972

If Alexander's mother is smart to offer casual sympathy without phoney consolation, Cruz and Viorst accord readers the same...

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In the spiky spirit of Sunday Morning (1969) but more truly attuned to a child's point of view, Viorst reviews a really aggravating (if not terrible, horrible, and very bad) day in the life of a properly disgruntled kid who wakes up with gum in his hair and goes to bed after enduring lima beans for dinner and kissing on T.V.

At school, "Mrs. Dickens liked Paul's picture of sailboat better than my picture of the invisible castle," and at lunch, "guess whose mother forgot to put in dessert?" After school "my mom took us all to the dentist and Dr. Fields found a cavity just in me," and there is worse to come. It's no wonder the kid's ready to move to Australia, but in the end, "My mom says some days are like that. Even in Australia."

If Alexander's mother is smart to offer casual sympathy without phoney consolation, Cruz and Viorst accord readers the same respect. (Picture book. 3-8)

Pub Date: June 1, 1972

ISBN: 978-0-689-30072-1

Page Count: 32

Publisher: Atheneum

Review Posted Online: March 12, 2012

Kirkus Reviews Issue: Sept. 1, 1972

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
SING, LITTLE SACK!
adapted by Nina Jaffe & illustrated by Ray Cruz

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LOVE FROM THE VERY HUNGRY CATERPILLAR

by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015

Safe to creep on by.

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Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

Categories:

CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
WHAT'S YOUR FAVORITE FOOD?
edited by Eric Carle

- BOOK REVIEW
WHAT'S YOUR FAVORITE BUG?
edited by Eric Carle

- BOOK REVIEW
MY FIRST I SEE YOU
by Eric Carle ; illustrated by Eric Carle

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)