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FLOWERS FOR HER GRAVE

Death is annoying, and Clemens steamrolls her plot to an abrupt conclusion in the last few pages, but Casey is bearable in...

Would you want Death as your sidekick, even if you were on the run?

Since losing her husband and child in a fiery car crash, Casey Maldonado has been hunted by the Pegasus car company and forced to kill a thug in self-defense (Embrace the Grim Reaper, 2008, etc). Now she’s settled down, at least temporarily, as Daisy Gray, the new fitness instructor at The Flamingo, an upscale living complex in Raceda, Fla. The only person, or thing, or aura, who knows her real story is Death, who hovers at her side sarcastically kibitzing. Before her first day of employment is over, Andrea, a resident, lies dying in the gym shower room; Andrea’s best friend Krystal has started a petition asking for the ouster of Daisy, whom she accuses of murder; and gossip smears the two previous fitness instructors, Richie and Brandon, pronouncing one cute but incompetent and the other sexy but inclined to prey on lonely singles. Egged on by Death, Daisy goes into full sleuth mode, chatting up the complex’s manager and her assistant, the water-aerobics instructor, the barman, anyone who signs up for her fitness classes and a powerfully built Amazon who turns the tables on her by introducing her to her sensei, Asuhara, who gently elicits Daisy’s real identity as Casey. All the while, Death flits in and out, leaving icy drafts to mark his presence, and a cop who reminds Daisy of her dead husband activates her hormones. The climactic scene finds Death returning from somewhere else in time to join Casey for another departure.

Death is annoying, and Clemens steamrolls her plot to an abrupt conclusion in the last few pages, but Casey is bearable in small doses.

Pub Date: Aug. 1, 2011

ISBN: 978-1-59058-918-2

Page Count: 298

Publisher: Poisoned Pen

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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