by Judy Monroe ‧ RELEASE DATE: July 1, 1994
In the Drug Library series, a well-researched but sketchily written treatment of alcohol and its effects on individuals and society. After presenting history and scary accounts of alcohol- generated health damage, Monroe eventually focuses on teenage drinking, following a lengthy chapter on prevention and treatment of alcoholism with stiff warnings against drunk driving and drinking while pregnant. She presents plenty of useful information from a wide variety of sources in each chapter, e.g., the historical notes on how different cultures favored particular crops for fermentation and a set of questions that readers can use to gauge their need for Alateen, but her analysis frequently stoops to overstatement. Are one third of all American women really alcoholics? And she quotes many experts (and a few teenagers) who make strong general statements but give no specific clarifying examples (e.g., how and why liquor advertisers appeal to children). A thorough treatment that lacks teen appeal. Glossary; end notes; resource list; bibliography; index. Illustrations not seen. (Nonfiction. 12+)
Pub Date: July 1, 1994
ISBN: 0-89490-470-1
Page Count: 128
Publisher: Enslow
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
Share your opinion of this book
More by Judy Monroe
BOOK REVIEW
by Judy Monroe
by Nikki Grimes ‧ RELEASE DATE: Jan. 1, 2001
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
Share your opinion of this book
More by Nikki Grimes
BOOK REVIEW
by Nikki Grimes ; illustrated by E.B. Lewis & by Stacy Wells
BOOK REVIEW
by Nikki Grimes ; illustrated by Cathy Ann Johnson
BOOK REVIEW
by Nikki Grimes ; illustrated by Michelle Carlos
by Jason Reynolds ‧ RELEASE DATE: Oct. 17, 2017
This astonishing book will generate much-needed discussion.
Awards & Accolades
Likes
26
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2017
New York Times Bestseller
Newbery Honor Book
After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Share your opinion of this book
More by Jason Reynolds
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Jason Reynolds ; illustrated by Jerome Pumphrey & Jarrett Pumphrey
More About This Book
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.