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LULLABY FOR THE KING

Masterful prose and exquisite images combine for an unforgettable Nativity retelling.

Grimes and Carlos’ take on the birth of Jesus celebrates the majesty and diversity of the natural world.

As the story opens, the animals learn that the Holy One has been born, and they begin to make their way to Bethlehem, laden with gifts. Antelope brings an alabaster flask containing myrrh, while Lion brings a bronze bowl. Donkey carries dates and dried apricot cakes, while Crane brings a spoon made from ebony, and Jackal the Clever brings a linen sash and frankincense. Goat’s gift is a harp, while Leopard’s is a crown of electrum. At last, they all arrive in Bethlehem at the stable where Mary and Joseph are waiting with Jesus. All three present as Black; Mary and Joseph have Afro-textured hair, and Mary’s hair is in braids. Nightingale gives the first gift to the Holy One: the gift of song, which startles—and delights—the baby. The other animals, inspired, play their own instruments. Grimes’ lush verse is brought to life by Carlos’ vibrant, ornate art, which depicts the fancifully colored animals striking dynamic poses and carrying sumptuous gifts. The angels, depicted as ghostly white ephemeral beings, contrast beautifully with the multihued animal ensemble. Text and visuals strike a wonderful balance between whimsy and solemnity. Backmatter includes an original song with accompanying sheet music.

Masterful prose and exquisite images combine for an unforgettable Nativity retelling. (Picture book. 4-8)

Pub Date: Oct. 10, 2023

ISBN: 9781506485621

Page Count: 40

Publisher: Beaming Books

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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