If one were to believe that monsters are real, this would be a great nonfiction reference tool. However, others will view it as a fantastic tongue-in-cheek treasure with encyclopedia-like entries. Sierra dispenses several survival tips for the basic monster encounter; for instance, she advises travelers to Russia to study riddle books in order to answer Poludnitsa’s queries (and survive). Other tips provide advice about eating habits, where to sleep and what to do—“swim only in the hotel pool” to avoid Wanagemeswak. She gives no such advice for the La Cobra Grande as the reader is advised that there are “no survivors to query.” Each entry provides a location, gruesomeness rating, description and survival tip. A fun read offering Drescher the chance to go wild with his trademark weirdness and just-scary-enough mixed-media illustrations of more than 60 gruesome creatures. Outrageous fun, but sure to inform as well. (afterword) (Picture book. 6-10)
Pub Date: Aug. 1, 2005
ISBN: 0-7636-1727-X
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
This longer Christmas story centers on an embroidered tapestry purchased to hang in a church for the Christmas Eve service. As with many of her works, Polacco (When Lightning Comes in a Jar, p. 665, etc.) sets her story in Michigan, this time in wintry Detroit. Young Jonathan resents his family’s recent move from Tennessee to where his minister father has been reassigned to renovate an old church and revive its congregation. Through a series of Dickensian trials and coincidences, the tapestry is purchased to cover some water damage to a church wall, and an elderly Jewish woman (and Holocaust survivor) whom the family has befriended recognizes the tapestry as the one she made in pre-WWII Germany for her wedding ceremony. In an ending worthy of O. Henry, the repairman who arrives on Christmas Eve to inspect the water damage turns out to be the woman’s long-lost husband (each thought the other had died in the Holocaust), and the devoted couple is reunited. Polacco succeeds as always with her watercolor-and-pencil illustrations in creating unique, expressive characters who seem to have real lives in their snowy city streets, cozy living rooms, and busy church. The gentle, reassuring message, suggested to Jonathan by his kindly father, is that “the universe unfolds as it should,” even when we don’t understand the pattern of the tapestry. (Picture book. 7-10)
Pub Date: Sept. 1, 2002
ISBN: 0-399-23955-3
Page Count: 160
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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