If one were to believe that monsters are real, this would be a great nonfiction reference tool. However, others will view it as a fantastic tongue-in-cheek treasure with encyclopedia-like entries. Sierra dispenses several survival tips for the basic monster encounter; for instance, she advises travelers to Russia to study riddle books in order to answer Poludnitsa’s queries (and survive). Other tips provide advice about eating habits, where to sleep and what to do—“swim only in the hotel pool” to avoid Wanagemeswak. She gives no such advice for the La Cobra Grande as the reader is advised that there are “no survivors to query.” Each entry provides a location, gruesomeness rating, description and survival tip. A fun read offering Drescher the chance to go wild with his trademark weirdness and just-scary-enough mixed-media illustrations of more than 60 gruesome creatures. Outrageous fun, but sure to inform as well. (afterword) (Picture book. 6-10)
Pub Date: Aug. 1, 2005
ISBN: 0-7636-1727-X
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
Mary, Remember, and Bartholomew Allerton were among the youngest on the Mayflower's first voyage; the words here tell how, with the other newcomers, they suffer tremendous losses but gradually come to view Plymouth as home. Meanwhile, the author's paintings expand considerably on the text with a fanciful map of the journey, a cutaway view of the ship, and crowd scenes of planting, harvest, and thanksgiving. The children, introduced in the first paragraph, don't appear in the illustrations, and are not the focus of any picture, until well into the book. The ongoing disparity between text and art is unsettling; moreover, the text is often clumsy: After the death of Mary—last of the original group—the narrative leaps back to a confusing, incomplete explanation of the Pilgrims' origins. The panoramic watercolors are attractive, with expertly composed, cinematic scenes, but the text, pursuing its separate agenda, regrettably never catches up. (Picture book. 6-9)
Pub Date: Sept. 30, 1992
ISBN: 0-02-742643-2
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
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