Should attract aspiring adventurers.
After showcasing risk-taking gals in Women Daredevils (2007), Cummins introduces 10 “dauntless” women born before 1900 whose little-known deeds “contribut[ed] to science, geography, history, and cultural understanding” at a time when “proper ladies simply did not go gallivanting around the world to explore new territories.”
Starting with Louise Boyd, who traded stylish dresses for boots and breeches to explore the Arctic, and closing with Daisy Bates, who studied Australian Aborigines for 35 years, Cummins presents breezy three-to-four–page biographies of her unconventional females. The variety of their endeavors astound. Nellie Cashman “rushed” for gold in British Columbia, the Klondike and Alaska; botanist Ynes Mexia collected thousands of plants in the wilderness of Mexico, the United States and the Amazon; Lucy Cheesman sojourned with cannibals while studying insects in the South Pacific. Suffragist Annie Peck scaled Europe and South America’s highest peaks. Dutch heiress Alexandrine Tinné searched for the Nile’s source and was murdered traversing the Sahara. Delia Akeley became the first woman to cross Africa. Violet Cressy-Marcks made eight trips around the world, and Freya Stark traveled throughout the Middle East. In an engaging, informative style, Cummins highlights fascinating facts about these feisty females “who conquered the unknown.” Dramatic watercolor illustrations memorialize each.
Should attract aspiring adventurers. (author’s note and list of additional female explorers; selected bibliography, websites) (Collective biography. 9-11)Pub Date: Feb. 16, 2012
ISBN: 978-0-8037-3713-6
Page Count: 48
Publisher: Dial Books
Review Posted Online: Dec. 6, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Playful, provocative, and packed with perspective.
Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?
Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.
Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)Pub Date: May 26, 2026
ISBN: 9798888599082
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
PERSPECTIVES
Well-informed and much-idealized if not entirely simplistic pictures of both the great man and his bustling estate.
Stepping carefully around the controversies, a former curator at Monticello reconstructs the septuagenarian Jefferson’s active daily round.
Jefferson’s fixed routine begins with a faithful recording of temperature and weather at first rising and ends with a final period of solitary reading by candlelight in his unusual alcove bed. In between, the author describes in often fussy detail the range of his interests and enterprises. There’s not only his “polygraph” and other beloved gadgets, but also meals, family members, visitors, and excursions to Monticello’s diverse gardens, workshops and outbuildings. Like the dialogue, which mixes inventions with historical utterances, the generous suite of visuals includes photos of furnishings and artifacts as well as stodgy full-page tableaux and vignettes painted by Elliott. The “slaves” or “enslaved” workers (the author uses the terms interchangeably) that Jefferson encounters through the day are all historical and named—but Sally Hemings and her Jeffersonian offspring are conspicuously absent (aside from a brief name check buried in the closing timeline). Jefferson adroitly sidesteps a pointed question from his grandson, who accompanies him on his rounds, by pleading his age: “The work of ending slavery is for the young.”
Well-informed and much-idealized if not entirely simplistic pictures of both the great man and his bustling estate. (sidebars, endnotes, bibliography) (Nonfiction. 9-11)Pub Date: Feb. 4, 2014
ISBN: 978-1-4197-0541-0
Page Count: 56
Publisher: Abrams
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
