A slow-building romantic novel that focuses on the vital bond between lovers.
In Butler’s debut novel, a pianist meets the love of her life but must let him go.
In California, aging actress Lily attends a performance of the talented pianist Katherine Konova, and reflects upon her connection to this red-haired beauty. Decades ago in Russia, Katherine’s poverty-stricken parents, Irina and Maxim, were deeply in love, and both had jobs at a factory where Yazov (nicknamed “The Bull”) was foreman. Irina and Max were convinced that they couldn’t have children, but when Irina falls ill on the job, it’s discovered that she’s pregnant. A few months after Max’s death in a freak accident, Irina marries Yazov, although she doesn’t love him. The child, Katherine, shows a talent for the piano; at 17, she’s accepted at the Moscow Conservatory where she meets Vitaly Prohorov, a married professor whose instruction wasn’t confined to music. After a romantic relationship, the two eventually separate, and Katherine marries and has children. In the present day, writer Daniel Adler has mystical visions of a girl with fiery red hair, and knows he must find her. He has a strained relationship with his mother, feeling much closer to his stepfather, Hans. Daniel attends Goethe University in Frankfurt and embarks on a disastrous relationship with a suicidal woman named Sophie, which doesn’t feed his soul. Impressed by Daniel’s blog, Lily writes Daniel and invites him to America, where he will meet and attempt to win the woman of his dreams. This novel tells a mellow, unassuming story of almost-instantaneous passion between a mature woman and a younger man. The story engagingly reveals layers of information, past and present, amidst a recurring melody of Beethoven’s “Moonlight Sonata.” It also provides a sense of life in Russia under the shadow of the KGB: At any moment, an innocent citizen could be snatched and accused of wrongdoing, an ordeal that Katherine at one point experiences. Her present-day affair in California plays out against a backdrop of family secrets, which generates suspense throughout. The narrative ends on a dissonant yet hopeful note, with potential for a sequel.
A slow-building romantic novel that focuses on the vital bond between lovers.Pub Date: May 9, 2014
ISBN: 978-0-9911509-1-5
Page Count: 230
Publisher: CreateSpace
Review Posted Online: June 4, 2014
Review Program: Kirkus Indie
Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.
Pub Date: Nov. 24, 1947
ISBN: 0140187383
Page Count: 132
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Nov. 1, 1947
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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