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THE TECHNOLOGY TAIL

A DIGITAL FOOTPRINT STORY

An important topic that warrants further exploration—and deserves better execution.

A girl learns about her “technology tail,” or digital footprint.

The lesson is delivered by a preteen’s laptop screen that suddenly comes to life and starts speaking, telling the child (who has light brown skin and straight brown hair) about how online activities can follow users and influence the way people think about them. Understandably, much of the focus is on refraining from posting mean things online and being aware of others’ feelings, but there are also lessons on safety and security. It all boils down to a didactic lesson, taught in very uneven prose—the screen frequently speaks in verse with an abcb rhyming pattern but just as frequently doesn’t, and there’s no real rhyme or reason as to why it drops in and out of verse. Occasional moments feel more like curriculum bullet points than parts of a cohesive whole, such as a brief definition of “keyboard courage” (saying things online that a person would never say out loud) and running all posts through a “think” test (THINK corresponding to True, Helpful, Inspiring, Necessary, and Kind). At other points, concerns expressed feel older than those a rhyming picture book’s audience would share. Aside from mismatches between content and delivery, the disproportionate art style, featuring characters (of many races) with oversized caricature heads, further obfuscates the characters’ ages.

An important topic that warrants further exploration—and deserves better execution. (Picture book. 6-12)

Pub Date: Sept. 1, 2017

ISBN: 978-1-944882-13-6

Page Count: 32

Publisher: Boys Town Press

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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