THE VEGETARIAN TABLE

ITALY

This initial entry in an international vegetarian series disproves the myth that vegetarian cooking is always light and healthy. Della Croce (Antipasti, not reviewed) packs these simple recipes with large amounts of oil and cheese. In pasta recipes, her frequent encouragement to use some of the pasta-cooking water to keep things moist is puzzling, since oil-based preparations like walnut sauce and lemon-and-black-olive sauce have more than enough olive oil to coat the noodles. Although the introduction claims that the book contains ``many nonegg and nondairy recipes,'' vegans are pretty much out of luck here. Out of 19 main courses, only two contain no dairy or egg products, and one of those is unsauced polenta. (Several could easily be converted by replacing butter with olive oil, just as several pasta and soup dishes could be served without grated Parmesan sprinkled on top, but neither of these is provided as an option.) The use of animal products itself would not be objectionable, since della Croce correctly notes that many of the vegan first-course pastas and soups are substantial enough for a whole meal, but in main dishes like a zucchini casserole, one pound of mozzarella, one cup grated Parmesan, and four eggs cover up, rather than enhance, the fresh flavor of vegetables. Ultimately, since Italy's food is vegetable-based to begin with, many of these offerings have been covered in general Italian cookbooks by Marcella Hazan and others. Photographs have the rustic-yet-upscale look that is now apparently de rigueur for Italian cookbooks. Nothing new under the sun.

Pub Date: Oct. 1, 1994

ISBN: 0-8118-0458-5

Page Count: 168

Publisher: Chronicle Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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