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THE DARK INTERCEPT

From the Dark Intercept series , Vol. 1

Middling and undercooked, redeemed by characters and ideas.

At the end of the 23rd century, government surveillance uses weaponized emotions to control the population.

Violet Crowley, the daughter of New Earth’s founder, president, and chief executive, works with the police and the Intercept program, surveilling for crime and unleashing the Intercept to halt criminals. The Intercept uses a chip implant to store and categorize memories and emotions, and it incapacitates people by feeding them back, forcing them to relive their worst moments. Violet’s got a huge crush on mysterious cop Danny Mayhew, who frequently sneaks to Old Earth despite the danger and refuses to say why. New Earth, which is an artificial society above Old Earth, promises safety for the richest and brightest. (The book claims the division ignores nationality, race, creed, and so forth and gives no thought toward intersectionality in this post-racial future in which most though not all named characters are described as pale; Violet appears to be white, while Danny is described as dark.) But the Rebels of Light are spreading rumors that they’ve found a way to overcome the Intercept. Balancing contrived worldbuilding (Earth has had resource wars, yet New Earth has strategically placed dilapidated buildings designed to stay vacant—where else would rebel groups meet?) and characters who frequently feel older than 16 are otherwise nuanced characterizations and strong if sometimes heavy-handed themes involving privacy and immigration.

Middling and undercooked, redeemed by characters and ideas. (Dystopian adventure. 12-adult)

Pub Date: Nov. 7, 2017

ISBN: 978-0-7653-8762-2

Page Count: 320

Publisher: Tor Teen

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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YOU'RE ONLY OLD ONCE! A BOOK FOR OBSOLETE CHILDREN

Seuss, with 82 years and 44 books to his credit, is in better than "pretty good shape"; he's in top form with this book...

Over the past 30 years, Dr. Seuss has endeared himself to millions of youngsters (and harried older types) with his tales of such giggle-producing creatures as "The Cat in the Hat" and "Yertle the Turtle."

Now, finally, he's written a book for those he calls "obsolete children." It's the nicest thing to happen to "senior citizens" since Medicare. This time around, the Doctor enlists his jaunty rhymes and sprightly illustrations to present a not altogether tongue-in-cheek look at that unnerving ritual of aging, "the medical check-up." His reactions to the whole demeaning (and distinctly expensive) process are so wryly knowing he might well have entitled his opus "The Cynic in the Clinic." The medical profession, under Seuss' steady gaze, comes in for some hilarious—and pointed—joshing. The action takes place at the "Golden Years Clinic on Century Square for Spleen Readjustment and Muffler Repair." Here, after first undergoing an "Eyesight and Solvency Test" (the chart reads "Have you any idea how much money these tests are costing you?"), the grey-mustachioed hero meets a battery of specialists including "Von Crandall, the World-Renowned Ear Man" and "Dr. Pollen, the Allergy Whiz." These worthies pinch, prod and poke about in search of such maladies as "Prone Picker's Plight" and "Chimney Sweep's Stupor." Diets are devised—"What you like. . .forget it!" Seuss has a great deal of fun with the "Pill Drill," in which the hero must memorize the dosages of a bewildering medicinal array: "I take the pill with zebra stripes to cure my early evening gripes. . .This long flat one is what I take if I should die before I wake." Having mastered that challenge, he goes from being "properly pilled" to being "properly billed." Finally, socks, coat and pants restored, necktie back under his chin, he's pleased to assure himself, "You're in pretty good shape for the shape you are in."

Seuss, with 82 years and 44 books to his credit, is in better than "pretty good shape"; he's in top form with this book that's sure to delight "obsolete children," and even those of us who are merely obsolescent. (Picture book. 4-8)

Pub Date: Feb. 12, 1986

ISBN: 0394551907

Page Count: 56

Publisher: Random House

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Feb. 15, 1986

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OCTOBER MOURNING

A SONG FOR MATTHEW SHEPARD

Though somewhat heavyhanded, these poems are sure to instill much-needed empathy and awareness to gay issues in today’s...

Nearly 14 years after the unspeakable tragedy that put Laramie, Wyo., on the hate crimes map, lesbian literary icon Newman offers a 68-poem tribute to Matthew Shepard.

Readers who were infants on October 6, 1998, may learn here for the first time how the 21-year-old Shepard was lured from a bar by two men who drove him to the outskirts of town, beat him mercilessly, tied him to a fence and left him to die. Ironically, months before Shepard’s murder, Newman had been invited to Laramie to speak at the University of Wyoming’s Gay Awareness Week and actually delivered her keynote address on the day he died. This cycle of poems, meant to be read sequentially as a whole, incorporates Newman’s reflections on Shepard’s killing and its aftermath, using a number of common poetic forms and literary devices to portray the events of that fateful night and the trial that followed. While the collection as a whole treats a difficult subject with sensitivity and directness, these poems are in no way nuanced or subtle. For example, Newman repeatedly employs personification to make inanimate objects, such as the fence, road, clothesline and truck, unwitting accessories to the crime, and she imitates William Carlos Williams’ “This Is Just to Say” false-apology format no fewer than four times with mixed results.

Though somewhat heavyhanded, these poems are sure to instill much-needed empathy and awareness to gay issues in today’s teens. (Poetry. 14 & up)

Pub Date: Sept. 25, 2012

ISBN: 978-0-7636-5807-6

Page Count: 128

Publisher: Candlewick

Review Posted Online: July 25, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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