At the end of the 23rd century, government surveillance uses weaponized emotions to control the population.
Violet Crowley, the daughter of New Earth’s founder, president, and chief executive, works with the police and the Intercept program, surveilling for crime and unleashing the Intercept to halt criminals. The Intercept uses a chip implant to store and categorize memories and emotions, and it incapacitates people by feeding them back, forcing them to relive their worst moments. Violet’s got a huge crush on mysterious cop Danny Mayhew, who frequently sneaks to Old Earth despite the danger and refuses to say why. New Earth, which is an artificial society above Old Earth, promises safety for the richest and brightest. (The book claims the division ignores nationality, race, creed, and so forth and gives no thought toward intersectionality in this post-racial future in which most though not all named characters are described as pale; Violet appears to be white, while Danny is described as dark.) But the Rebels of Light are spreading rumors that they’ve found a way to overcome the Intercept. Balancing contrived worldbuilding (Earth has had resource wars, yet New Earth has strategically placed dilapidated buildings designed to stay vacant—where else would rebel groups meet?) and characters who frequently feel older than 16 are otherwise nuanced characterizations and strong if sometimes heavy-handed themes involving privacy and immigration.
Middling and undercooked, redeemed by characters and ideas. (Dystopian adventure. 12-adult)Pub Date: Nov. 7, 2017
ISBN: 978-0-7653-8762-2
Page Count: 320
Publisher: Tor Teen
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
Categories: TEENS & YOUNG ADULT FICTION
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A delightfully captivating swatch of autobiography from the author of Kiss. Kiss, Switch Bitch and many others. Schoolboy Dahl wanted adventure. Classes bored him, there was work to be had in Africa, and war clouds loomed on the world's horizons. He finds himself with a trainee's job with Shell Oil of East Africa and winds up in what is now Tanzania. Then war comes in 1939 and Dahl's adventures truly begin. At the war's outbreak, Dahl volunteers for the RAF, signing on to be a fighter pilot. Wounded in the Libyan desert, he spends six months recuperating in a military hospital, then rejoins his unit in Greece, only to be driven back by the advancing Germans. On April 20, 1941, he goes head on against the Luftwaffe in the Battle of Athens. On-target bio installment with, one hopes, lots more of this engrossing life to come.
Pub Date: Oct. 1, 1986
ISBN: 0142413836
Page Count: 209
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1986
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