A lukewarm romance for series fans only.
A man studying to be a doctor in Edinburgh is called home to England to marry a neighbor in trouble.
When Nicholas Rokesby receives a letter from his father ordering him to immediately return to the family home in Kent, he obeys the summons, fearing that some disaster has befallen the family. When he arrives, he’s informed that his neighbor and lifelong friend, Georgiana Bridgerton, was kidnapped a month earlier by a man hoping to force her into marriage. Georgie freed herself, but she’s pronounced “ruined” by society rather than being celebrated for her quick thinking and bravery. Nicholas’ father informs him that he can save Georgie by offering for her hand in marriage; otherwise, her only choices are to live as a spinster or to marry the cad who kidnapped her. Unfortunately, Quinn’s witty dialogue isn’t enough to hide the fact that there’s very little conflict or plot in the novel. The setup leans heavily on the “friends to lovers” trope but doesn’t invest any time developing the couple's past. They are two nice people in their mid-20s who agree to marry out of duty and deference to society’s rules. More detailed attention is given to Georgie’s plan to make a rope hammock to soothe her yowling cat during a carriage ride than to her and Nicholas' development as a married couple. Georgie’s character might frustrate modern readers. Her ingenuity is often highlighted—she escapes from her kidnapper, has her own interests, and verbalizes her frustrations with how society treats women unfairly—but she’s also strangely passive, happily serving as Nicholas’ nurse rather than pursuing her own interests in medicine. Die-hard readers of this Bridgerton prequel series are likely to enjoy the book as fan service, with glimpses of beloved characters from the original series appearing as children.
A lukewarm romance for series fans only.Pub Date: April 21, 2020
ISBN: 978-0-06-295616-3
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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