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From the Julian Lennon White Feather Flier Adventure series , Vol. 2

Relentlessly facile—but if action ever begins with goal visualization, at least a place to start.

Following Touch the Earth (2017), young readers are invited to fly on further missions of mercy to our beleaguered planet and its residents.

A feather converts with a tap on the image of a button in the right-hand corner of the spread and a page turn to a White Feather Flier (named after Lennon’s charitable White Feather Foundation) that transports, in Coh’s misty, painted pictures, a thoroughly diverse quartet of children to a variety of troubled places. They visit in succession a town whose residents lack medical services, a bleached coral reef, a drab urban neighborhood, and a clear-cut rainforest. At every stop, further taps on a button image bring instant relief: The Flier becomes a mobile hospital; “zooks” (zooxanthellae, depicted as tiny green cells with smiley faces) return to give the reef color and life; the city gets a new green space; and the devastated forest’s flora and fauna are restored to lush life. Following vague exhortations to “work together” and to “make healing an adventure,” Lennon concludes with six solo-credited stanzas of similarly airy sentiment: “Come together, see it through, / End disease and hunger too. / Help the children, one and all. / Winter, Summer, Spring, and Fall.” Thoughtfully, the humans in need are depicted as diverse and not uniformly brown; slightly less thoughtfully, one of the two brown-skinned children among the helpers is depicted with knotted hair that recalls the pickaninny stereotype.

Relentlessly facile—but if action ever begins with goal visualization, at least a place to start. (author’s note) (Picture book. 5-7)

Pub Date: April 3, 2018

ISBN: 978-1-5107-2853-0

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 12, 2018

Kirkus Reviews Issue: March 1, 2018

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A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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