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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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OUR GREAT BIG BACKYARD

Produced to celebrate the National Park Service’s upcoming centenary, a breezy invitation to prospective travelers to “get...

A family road trip through several national parks transforms young Jane’s feelings about missing out on a summer of online fun with her friends.

“There’s absolutely nothing to see here,” Jane emails fretfully as her family drives through the scenic Smoky Mountains and canoes past alligators and manatees in the Everglades. But once her dad gets her to put the tablet away and look through a telescope at the night skies over Big Bend National Park, her attitude transforms: “OH WOW!” Soon she’s tiptoeing over the Grand Canyon’s Skywalk like an acrobat, playing pirate on a raft down the Colorado River, scouting out “Mountain lions, buffalo, and bears. Oh my!” in Yellowstone—and, discovering that she’s misplaced her electronic device, sending written postcards to her friends from Yosemite. Furthermore, once back home, what better way to debrief than a backyard cookout under the stars? Giving blonde Jane and the rest of her white family broad, pleasant features, Rogers sends them smiling and singing their way through a succession of natural wonders, with bears and bald eagles, footnotes (adult supervision required on the Skywalk, for instance), and only a few fellow, occasionally diverse tourists in the background. Endpaper maps track the long itinerary, and a (select) list of other national parks and sites in each state offers more destinations.

Produced to celebrate the National Park Service’s upcoming centenary, a breezy invitation to prospective travelers to “get out there!” (Picture book. 6-8)

Pub Date: May 10, 2016

ISBN: 978-0-06-246835-2

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

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THE HONEYBEE

Readers (and listeners) will think that this book is the bee’s knees.

Children will be buzzing to learn more about honeybees after reading this story.

Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.

Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)

Pub Date: May 8, 2018

ISBN: 978-1-4814-6997-5

Page Count: 48

Publisher: Atheneum

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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