by Julian Winters ‧ RELEASE DATE: Sept. 10, 2019
An endearing novel that gives hope to those who know what it’s like being different.
A gay high schooler contends with romance, college, and racial/sexual self-acceptance in this entertaining coming-of-age dramedy.
Remy Cameron is determined not to have a relationship this year. After the heartbreak of his last breakup, all he wants is to do well in AP Lit, get into Emory’s Creative Writing Program, and avoid anything remotely resembling love. Remy’s best-laid plans are thrown into chaos when Ian Park, a Korean American senior, moves back from California and comes onto his radar. Add to that some friends wanting to increase LGBTQ representation on the homecoming court and his lit teacher’s assigning an essay about what identity defines him, and Remy’s junior year is set to be anything but peaceful. In his sophomore novel, Winters (Running With Lions, 2018) fills a Georgia high school with characters so rich and realistic that readers might expect to bump into them in the school hallways. The racial and sexual diversity that pervades this novel feels refreshingly authentic, and Remy’s struggles with being black, adopted, and gay demonstrate the author’s skill as a storyteller and his respect for the weight of the issues at play. The relationships among the members of the mixed-race Cameron family (Remy’s parents are white) and between Remy and his friends are nuanced and reflect a hopeful future for America.
An endearing novel that gives hope to those who know what it’s like being different. (Fiction 13-18)Pub Date: Sept. 10, 2019
ISBN: 978-1-945053-80-1
Page Count: 340
Publisher: Duet
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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