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A STRANGE SCOTTISH SHORE

Readers of A Most Extraordinary Pursuit (2016) may not be satisfied by the abrupt conclusion of the will-they/won’t-they...

A woman who researches historical anachronisms must travel through time to rescue her love interest.

Having worked for the royal family of Olympia for as long as she can remember, Emmeline Truelove thinks nothing of being asked to go on a mysterious adventure even though Max, the Duke of Olympia, offers little in the way of background for what she’s supposed to do. That’s how Miss Truelove finds herself on a train with a leather portfolio containing an object whose meaning she’s not sure of. Max is a collector of historical anachronisms and unusual pieces, so Miss Truelove doesn’t think there’s much unusual about the task at hand or the mysterious stranger who’s been tailing her since she left London. Her journey is interrupted by the one person sure to distract her, Lord Silverton, the Marquess of Silverton. The two haven’t seen each other since the playboy promised to give up his free-loving ways and marry Miss Truelove, an offer she somehow managed to refuse. When the stranger tailing Miss Truelove is revealed as more foe than friend, Silverton vanishes in the ensuing scuffle, leaving Miss Truelove to return to Max with more questions than answers. A supernatural link may help her travel back in time to recover Silverton, though neither she nor Max is sure what to do if they can reach him. Once this question is resolved, Gray (a pseudonym for bestselling historical novelist Beatriz Williams) wraps up her story of Miss Truelove and Silverton with surprising haste and little relation to their modern world or to Max, as if she’d decided to end her series quickly without addressing many of the complications she’s introduced.

Readers of A Most Extraordinary Pursuit (2016) may not be satisfied by the abrupt conclusion of the will-they/won’t-they plot; those who skipped the series debut may not have sufficient background to invest in this sequel’s fantastic doings.

Pub Date: Sept. 19, 2017

ISBN: 978-0-425-27708-9

Page Count: 400

Publisher: Berkley

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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