The as-happy-as-it-could-be-under-the-circumstances ending will definitely satisfy, and Stone writes it with confidence and...

BOYS LIKE YOU

A contemporary romance-with-a-conscience presents three teens who have erred but are worthy of redemption.

Hot girl from out of town; hunky, vulnerable hero; alcohol-troubled ex-girlfriend; conflict and regrets…there’s nothing wrong—and a good deal that is right—with the romance formula when it’s handled this well. Emotionally damaged and painfully remote, New York teen Monroe is spending her summer in Louisiana with her wise and loving gram. There to heal after an initially unspecified tragedy, Monroe quickly meets local kindred-tortured-soul Nathan (“the pain that I saw there let me know I wasn’t the only one…who hated herself”). Their tragic tales emerge in alternating chapters; Nathan must deal with catastrophe or its fallout daily and faces it head-on, while Monroe circles around her pain. In their world, thoughtful, caring friends and a wise grandmother are better than therapists, and despite Monroe’s assertion that Nathan is not her type, hot days, Southern swimming holes, steamy nights and boozy teen parties out in “the bush” prove her wrong. Conveniently naïve parents and Gram’s upfront insistence on birth control create space for tender, consensual, responsible intimacy. Several layers of complexity (grief, guilt, the search for healing) nudge this toward the general fiction category even as it maintains familiar characteristics of the standard romance.

The as-happy-as-it-could-be-under-the-circumstances ending will definitely satisfy, and Stone writes it with confidence and style. (Romance. 14-18)

Pub Date: May 6, 2014

ISBN: 978-1-4022-9147-0

Page Count: 288

Publisher: Sourcebooks Fire

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun...

DOROTHY MUST DIE

When a cyclone deposits a 21st-century Kansas teen in Oz, she and readers discover there’ve been some changes made.

Dirt-poor “Salvation Amy” Gumm lives in a trailer park, effectively parenting her alcoholic mom (her dad ran off years ago), who seems to care more about her pet rat, Star, than her daughter. That doesn’t mean Amy is eager to be in Oz, particularly this Oz. Tyrannized by a megalomaniacal Dorothy and mined of its magic, it’s a dystopian distortion of the paradise Baum and MGM depicted. In short order, Amy breaks the wholly capricious laws and is thrown into a cell in the Emerald City with only Star for company. There, she’s visited first by the mysterious but sympathetic Pete and then by the witch Mombi, who breaks her out and takes her to the Revolutionary Order of the Wicked (among whom is the very hot Nox). Amy may well be the salvation of Oz—only someone from the Other Place can take Dorothy down. Paige has clearly had the time of her life with this reboot, taking a dystopian-romance template and laying it over Oz. Readers of Baum’s books will take special delight in seeing new twists on the old characters, and they will greet the surprise climactic turnabout with the smugness of insiders.

In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun than many of its ilk. (Dystopian fantasy. 14 & up)

Pub Date: April 1, 2014

ISBN: 978-0-06-228067-1

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

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With appeal to cynics and romantics alike, this profound exploration of life and love tempers harsh realities with the...

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THE SUN IS ALSO A STAR

Natasha and Daniel meet, get existential, and fall in love during 12 intense hours in New York City.

Natasha believes in science and facts, things she can quantify. Fact: undocumented immigrants in the U.S., her family is being deported to Jamaica in a matter of hours. Daniel’s a poet who believes in love, something that can’t be explained. Fact: his parents, Korean immigrants, expect him to attend an Ivy League school and become an M.D. When Natasha and Daniel meet, Natasha’s understandably distracted—and doesn’t want to be distracted by Daniel. Daniel feels what in Japanese is called koi no yokan, “the feeling when you meet someone that you’re going to fall in love with them.” The narrative alternates between the pair, their first-person accounts punctuated by musings that include compelling character histories. Daniel—sure they’re meant to be—is determined to get Natasha to fall in love with him (using a scientific list). Meanwhile, Natasha desperately attempts to forestall her family’s deportation and, despite herself, begins to fall for sweet, disarmingly earnest Daniel. This could be a sappy, saccharine story of love conquering all, but Yoon’s lush prose chronicles an authentic romance that’s also a meditation on family, immigration, and fate.

With appeal to cynics and romantics alike, this profound exploration of life and love tempers harsh realities with the beauty of hope in a way that is both deeply moving and satisfying. (Fiction. 14 & up)

Pub Date: Nov. 1, 2016

ISBN: 978-0-553-49668-0

Page Count: 384

Publisher: Delacorte

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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