It’s no place for a picnic, but we’ll hope that Baggott moves on to making another world just as engaging as this one.

BURN

Fantasist Baggott (Fuse, 2013, etc.) wraps up her post-apocalyptic Pure Trilogy with an installment that will leave fans wanting more.

Baggott is a worldbuilder; she imagines settings on a grand scale, and it’s not pretty. It’s a time after the Detonations, when the One Percenters—well, the well-connected, anyway—get to live under the safety of the Dome while the rest get to live in something that resembles Bartertown in that Mad Max film, save that there are melting faces and nuclear sickness to attend to on top of resource shortages. Inside the Dome lives Partridge, who, part of the resistance to the new order, now finds himself in charge. (There’s a neat element of Greek tragedy in that development.) Is he going to continue the Purist apartheid? Once the new boss takes his seat, natch, it’s tempting to take up where the old boss left off. Meanwhile, quickly growing up outside is Pressia, a tough and resourceful young woman who, at the head of an interestingly motley band of fighters, is now stuck with a vexing question: Can she trust Partridge to live up to his ideals, or does she have to fight him too? Baggott blends the fantastic with plausible science—not just on the nasty effects of radiation, but also on the mechanics of gene splicing (in this case, to create a herd of attack boars, “engineered to be domesticated like cattle but vicious too”). It’s a hallmark of good fantasy writing that all the elements of the imagined world are at once believable and not quite like the world in which we live, and Baggott eminently succeeds. She also writes arrestingly, and if her story drags a little as she ties together the many loose ends, it’s worth the longueurs to find sentences such as these: “Pressia steps in through what was once the doorway, her boots crunching the broken glass. Its roof is gone, like a gaping maw over her head. The floor shines with dark puddles of rain.”   

It’s no place for a picnic, but we’ll hope that Baggott moves on to making another world just as engaging as this one.

Pub Date: Feb. 4, 2014

ISBN: 978-1-4555-0302-5

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Dec. 21, 2013

Kirkus Reviews Issue: Jan. 1, 2014

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 45

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

Reader Votes

  • Readers Vote
  • 13

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

Did you like this book?

more