Sweet art, cloying storyline.
Actor Andrews and her daughter Walton Hamilton pay tribute to the power of music.
The inhabitants of a small village are happy with “simple pleasures” until they commercialize to attract tourists…whereupon a dismal purple mist creeps in and thickens to the point that people stop visiting or even going outside. Then one day little Piccolino, who is helping his father dust the deserted opera house, plinks out a tune on the piano…and notices that the palms in the lobby look fresher. The brown-skinned pair proceed to gather wilting houseplants from all over town, park them in the auditorium seats, and call the orchestra members in for a concert. The plants flourish, the fog lifts, and throngs of villagers are drawn out into the streets by the music to dance and sing. Everyone realizes that “if they remained faithful to all that matters most, nothing could darken their days again.” In a closing note the authors state that they were inspired by an actual concert played in Barcelona in 2020 to an “audience” of plants—a piece of performance art more likely to stimulate discussion than this trite, sugary mess. The illustrations are one bright spot: MacKay places her gracefully posed, diverse figures in luminously hued scenes of narrow streets and neatly kept buildings perched on a steep hill and threaded with musical staves. (This book was reviewed digitally.)
Sweet art, cloying storyline. (Picture book. 6-8)Pub Date: Sept. 12, 2023
ISBN: 9781419763199
Page Count: 40
Publisher: Abrams
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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BOOK REVIEW
BOOK REVIEW
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
An important reminder that, in the quest for friendship, who you truly are is more than enough.
Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.
When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.
An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)Pub Date: April 19, 2022
ISBN: 978-1-5476-0592-7
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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