Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

HORRIBLE WOMEN, WONDERFUL GIRLS

A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A down-on-her-luck developer of products for the film and gaming industry leaves Los Angeles for a job in Wisconsin in Sipos’ spirited satire.

Forty-year-old Jaycee Grayson, fresh from a stint in the Betty Ford rehab center after having been fired from her job at a big-name Hollywood studio, is about to embark on a new adventure. Her older sister Meredith Grayson-O’Cochlain, a high-powered attorney, has negotiated a contract for Jaycee to be the new executive producer and vice president of global entertainment at Wonderful Girls, a successful manufacturer of lifelike dolls that reflect individual personalities and aspirations. The company, run primarily by women, was founded by the now semi-retired Happy Lindstrom. It has recently been sold for a fortune to a Japanese company but still maintains its headquarters in Littleburgh, Wisconsin. “Pulled by this strange and wonderful concept of female unity,” Jaycee heads to Wisconsin, where she discovers a workplace brimming with an intoxicating sweetness that belies the back-stabbing manipulations of Wonderful Girls’ venomous staff. Amply funded by a new termination agreement with the Hollywood studio hammered out by Meredith, Jaycee buys a house in Littleburgh reportedly built by the late architect Frank Lloyd Wright for his mistress. Once she settles in, it does not take long for her to discover that duplicity runs rampant below Wonderful Girls’ saccharine surface; bad-mouthing and sabotage lurk around every corner. Sipos writes with wit, introducing a large cast of quirky characters hiding a trove of backstories and deceptions. The dialogue is filled with sharply focused sarcasm, and Jaycee, who narrates the tale, is a feisty protagonist relentlessly trudging through a chaotic swamp of miscreants. Abel Dreaux, the village police chief, adds a bit of offbeat romance, and the aging Happy Lindstrom proves to be a delightful, surprising powerhouse. The relationship between Jaycee and Meredith provides some needed poignancy, as does the developing friendship between Jaycee and the gently rebellious Mennonite couple that tends to her culinary and gardening needs. Even so, acerbic humor is never more than a paragraph or two away.

A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.

Pub Date: March 31, 2025

ISBN: 9798991999410

Page Count: 301

Publisher: Dartmouth Park

Review Posted Online: Jan. 14, 2025

Kirkus Reviews Issue: March 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 100


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 100


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 73


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

Awards & Accolades

Likes

  • Readers Vote
  • 73


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

Close Quickview