A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.
A down-on-her-luck developer of products for the film and gaming industry leaves Los Angeles for a job in Wisconsin in Sipos’ spirited satire.
Forty-year-old Jaycee Grayson, fresh from a stint in the Betty Ford rehab center after having been fired from her job at a big-name Hollywood studio, is about to embark on a new adventure. Her older sister Meredith Grayson-O’Cochlain, a high-powered attorney, has negotiated a contract for Jaycee to be the new executive producer and vice president of global entertainment at Wonderful Girls, a successful manufacturer of lifelike dolls that reflect individual personalities and aspirations. The company, run primarily by women, was founded by the now semi-retired Happy Lindstrom. It has recently been sold for a fortune to a Japanese company but still maintains its headquarters in Littleburgh, Wisconsin. “Pulled by this strange and wonderful concept of female unity,” Jaycee heads to Wisconsin, where she discovers a workplace brimming with an intoxicating sweetness that belies the back-stabbing manipulations of Wonderful Girls’ venomous staff. Amply funded by a new termination agreement with the Hollywood studio hammered out by Meredith, Jaycee buys a house in Littleburgh reportedly built by the late architect Frank Lloyd Wright for his mistress. Once she settles in, it does not take long for her to discover that duplicity runs rampant below Wonderful Girls’ saccharine surface; bad-mouthing and sabotage lurk around every corner. Sipos writes with wit, introducing a large cast of quirky characters hiding a trove of backstories and deceptions. The dialogue is filled with sharply focused sarcasm, and Jaycee, who narrates the tale, is a feisty protagonist relentlessly trudging through a chaotic swamp of miscreants. Abel Dreaux, the village police chief, adds a bit of offbeat romance, and the aging Happy Lindstrom proves to be a delightful, surprising powerhouse. The relationship between Jaycee and Meredith provides some needed poignancy, as does the developing friendship between Jaycee and the gently rebellious Mennonite couple that tends to her culinary and gardening needs. Even so, acerbic humor is never more than a paragraph or two away.
A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.Pub Date: March 31, 2025
ISBN: 9798991999410
Page Count: 301
Publisher: Dartmouth Park
Review Posted Online: Jan. 14, 2025
Kirkus Reviews Issue: March 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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