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HORRIBLE WOMEN, WONDERFUL GIRLS

A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.

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A down-on-her-luck developer of products for the film and gaming industry leaves Los Angeles for a job in Wisconsin in Sipos’ spirited satire.

Forty-year-old Jaycee Grayson, fresh from a stint in the Betty Ford rehab center after having been fired from her job at a big-name Hollywood studio, is about to embark on a new adventure. Her older sister Meredith Grayson-O’Cochlain, a high-powered attorney, has negotiated a contract for Jaycee to be the new executive producer and vice president of global entertainment at Wonderful Girls, a successful manufacturer of lifelike dolls that reflect individual personalities and aspirations. The company, run primarily by women, was founded by the now semi-retired Happy Lindstrom. It has recently been sold for a fortune to a Japanese company but still maintains its headquarters in Littleburgh, Wisconsin. “Pulled by this strange and wonderful concept of female unity,” Jaycee heads to Wisconsin, where she discovers a workplace brimming with an intoxicating sweetness that belies the back-stabbing manipulations of Wonderful Girls’ venomous staff. Amply funded by a new termination agreement with the Hollywood studio hammered out by Meredith, Jaycee buys a house in Littleburgh reportedly built by the late architect Frank Lloyd Wright for his mistress. Once she settles in, it does not take long for her to discover that duplicity runs rampant below Wonderful Girls’ saccharine surface; bad-mouthing and sabotage lurk around every corner. Sipos writes with wit, introducing a large cast of quirky characters hiding a trove of backstories and deceptions. The dialogue is filled with sharply focused sarcasm, and Jaycee, who narrates the tale, is a feisty protagonist relentlessly trudging through a chaotic swamp of miscreants. Abel Dreaux, the village police chief, adds a bit of offbeat romance, and the aging Happy Lindstrom proves to be a delightful, surprising powerhouse. The relationship between Jaycee and Meredith provides some needed poignancy, as does the developing friendship between Jaycee and the gently rebellious Mennonite couple that tends to her culinary and gardening needs. Even so, acerbic humor is never more than a paragraph or two away.

A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.

Pub Date: March 31, 2025

ISBN: 9798991999410

Page Count: 301

Publisher: Dartmouth Park

Review Posted Online: Jan. 14, 2025

Kirkus Reviews Issue: March 1, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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