A heartfelt page-turner about depression and how dogs can save us from ourselves.
In this moving debut autobiography, a chronically depressed short story writer tells how her relationship with her dog saved her life.
Barton was a successful associate editor for an unnamed book publisher in New York City and appeared on her way to further success, but catastrophic depression continually gnawed at her. One morning, she found herself lying disoriented on the floor of her barren Manhattan apartment, the room full of smoke because she’d collapsed while at the stove while cooking the night before. With disturbing clarity, the author lays bare in the starkest terms the ravages of deep depression, including the continual destructive self-talk that consistently undermined her. “You’re so stupid,” Barton berated herself on that fateful morning; she eventually crawled across the floor to call her mother and tell her that she thought she’d had a nervous breakdown. What seeds in the author’s life grew such poisoned fruit? Barton writes that her brother often physically and verbally abused her and undermined her parents’ attempts to deal with sibling rivalry. The author unmasks the hidden face of domestic violence, writing that her brother once pushed her so hard that she ended up cracking her head, lying unconscious in a pool of her own blood: “I woke disoriented,” Barton writes, “my father hovering over me, yelling, panicked.” This difficult subject matter might cause a lesser writer to overreach and fall into maudlin sentimentality, but Barton writes with simple clarity and precision about her depression and its effects on her life, and about her bad choices in relationships with men. Her relentless drive toward self-destruction was eventually healed by her crucial, life-changing relationship with her dog, Bunker. Through the memoir, the author shows a captivating ability to observe the interplay of external events and her inner life. Along the way, she discovers, through Bunker’s unconditional love, her own capacity for self-realization. When a medical issue threatens to cripple or even kill Bunker, readers will wonder whether the dog—and Barton herself—will survive.
A heartfelt page-turner about depression and how dogs can save us from ourselves.Pub Date: Nov. 10, 2015
ISBN: 978-0-9863607-8-7
Page Count: 234
Publisher: Think Piece Publishing, LLC
Review Posted Online: Nov. 24, 2015
Review Program: Kirkus Indie
PROFILES
Not as focused as Just Kids, but an atmospheric, moody, and bittersweet memoir to be savored and pondered.
Iconic poet, writer, and artist Smith (Just Kids, 2010, etc.) articulates the pensive rhythm of her life through the stations of her travels.
Spending much of her time crouched in a corner table of a Greenwich Village cafe sipping coffee, jotting quixotic notes in journals, and “plotting my next move,” the author reflects on the places she’s visited, the personal intercourse, and the impact each played on her past and present selves. She describes a time in 1978 when she planned to open her own cafe, but her plans changed following a chance meeting with MC5 guitarist Fred Sonic Smith, who swiftly stole and sealed her heart with marriage and children. A graceful, ruminative tour guide, Smith writes of traveling together with Fred armed with a vintage 1967 Polaroid to Saint-Laurent-du-Maroni in northwest French Guiana, then of solitary journeys to Frida Kahlo’s Mexican Casa Azul and to the graves of Sylvia Plath, Jean Genet, and a swath of legendary Japanese filmmakers. After being seduced by Rockaway Beach in Queens and indulgently purchasing a ramshackle bungalow there, the property was destroyed by Hurricane Sandy—though she vowed to rebuild. In a hazy, often melancholy narrative, the author synchronizes past memories and contemporary musings on books, art, and Michigan life with Fred. Preferring to write productively from the comfort of her bed, Smith vividly describes herself as “an optimistic zombie propped up by pillows, producing pages of somnambulistic fruit.” She spent seasons of lethargy binge-watching crime TV, arguing with her remote control, venturing out to a spontaneous and awkward meeting with chess great Bobby Fischer, and trekking off to interview Paul Bowles in Tangiers. No matter the distance life may take her, Smith always recovers some semblance of normalcy with the simplistic pleasures of a deli coffee on her Gotham stoop, her mind constantly buoyed by humanity, art, and memory.
Not as focused as Just Kids, but an atmospheric, moody, and bittersweet memoir to be savored and pondered.Pub Date: Oct. 6, 2015
ISBN: 978-1-101-87510-0
Page Count: 272
Publisher: Knopf
Review Posted Online: July 6, 2015
Kirkus Reviews Issue: Aug. 1, 2015
SEEN & HEARD
Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how...
A beloved actor attempts to assemble her fragmented past.
In her debut memoir, Field (b. 1946) takes to the page to explore her early life and storied acting career; she also pens an extended love letter to her mother, who died in 2011, on the author’s 65th birthday. Described by the author as “drop-your-jaw beautiful,” Margaret Morlan was discovered by a Paramount talent scout while sitting in a Pasadena Playhouse audience and instantly got a career at age 23. Affectionately called “Baa” by Field, Morlan never achieved anywhere near her eldest daughter’s screen credits, but she played a central role throughout Field’s life as both a peerless champion of and “backup generator” to her daughter’s burgeoning talents. Baa was also a complicated source of great psychological trauma, as she failed to protect her daughter from the sexual advances of her stepfather, stuntman Jock Mahoney. While the memoir details the rapid progression of Field’s childhood interest in acting to on-screen success in TV (from Gidget and The Flying Nun to winning the Emmy for Sybil in 1977) and film (for Norma Rae, she won “every award for best actress that existed in the United States”), Field’s narrative of her professional and personal achievements may be best viewed through the lens of her fraught relationship with Baa. “My cherished mother had known…something,” she writes. “What exactly that was, I didn’t want to hear, because even at that time, when I was middle-aged, I couldn’t bear the idea that she hadn’t run to my side….I had accepted the idea that I was broken in an effort to keep my mother whole.” Through acting, Field found a way to constitute herself: “By standing in Norma’s shoes, I felt my own feet. If I could play her, I could be me.”
Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how playing larger-than-life figures has enabled her to keep her feet on the ground.Pub Date: Sept. 18, 2018
ISBN: 978-1-5387-6302-5
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Oct. 11, 2018
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