A tale of uncommon elegance, power and originality.

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ALL THE TRUTH THAT'S IN ME

Eighteen-year-old Judith Finch gradually reveals the horror of her two-year disappearance in a stunning historical murder mystery and romance.

One summer four years ago, Judith Finch and her friend Lottie Pratt disappeared. After two years, only Judith returned. Lottie’s naked body was found in the river, and Judith stumbled back on her own, her appearance shocking the town—not just because she had returned, but that her tongue had been cut out, and she can’t tell anyone what happened to her. Illiterate, maimed, cursed, doomed to be an outsider but always and forever in love with Lucas Whiting, Judith finds a way to tell her story, saying, “I don’t believe in miracles, but if the need is great, a girl might make her own miracle,” and as her story unfolds, all the truth that’s in her is revealed. Set in what seems to be early-18th-century North America, the story is told through the voice inside Judith’s head—simple and poetic, full of hurt and yearning, and almost always directed toward Lucas in a haunting, mute second person. Every now and then, a novel comes along with such an original voice that readers slow down to savor the poetic prose. This is such a story.

A tale of uncommon elegance, power and originality. (Historical thriller. 12 & up)

Pub Date: Sept. 26, 2013

ISBN: 978-0-670-78615-2

Page Count: 288

Publisher: Viking

Review Posted Online: June 12, 2013

Kirkus Reviews Issue: July 1, 2013

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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A riveting tour de force.

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SADIE

Sadie is seeking her sister’s killer; months later, podcast producer West McCray seeks to learn why Sadie abandoned her car and vanished.

When Mattie was born to Claire, a white, drug-addicted, single mother, Sadie, 6, became her de facto parent. Her baby sister’s love filled a hole in Sadie’s fiercely protective heart. Claire favored Mattie, who remained attached to her long after Claire disappeared from their grim, trailer-park home in rural Colorado. Sadie believes that Mattie’s determination to find Claire—which Sadie opposed—led to her brutal murder at age 13. Now 19, Sadie sets out to find and kill the man she holds responsible for her sister’s murder. Interwoven with Sadie’s first-person account is the transcript of McCray’s podcast series, The Girls, tracking his efforts to learn what’s happened to Sadie, prompted and partly guided by the sisters’ sympathetic neighbor. West’s off-the-record conversations are also included. Sadie is smart, observant, tough, and at times heartbreakingly vulnerable, her interactions mediated by a profound stutter. In the podcast, characters first seen through Sadie’s ruthless eyes further reveal (or conceal) their interactions and motives. Like Salla Simukka’s Lumikki Andersson, Sadie’s a powerful avatar: the justice-seeking loner incarnated as a teenage girl. Sadie exempts no one—including herself—from her unsparing judgment. Conveyed indirectly through its effect on victims, child sexual abuse permeates the novel as does poverty’s intergenerational legacy.

A riveting tour de force. (Thriller. 14-18)

Pub Date: Sept. 4, 2018

ISBN: 978-1-250-10571-4

Page Count: 320

Publisher: Wednesday Books

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

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