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A thought-provoking, beautiful exploration of the artistic process.

Aurora, raised in a rural commune, finds her notions of art challenged by her introduction to the New York City graffiti-art scene in the 1980s.

Aurora is struggling to define her artistic identity, a process complicated by her father’s suicide by house fire, an act that nearly killed the entire family. The tragedy forces Aurora, her sister, and their mother into New York City. Caught in the whirlwind of public assistance and public school, and besieged by the city’s commercialized chaos, Aurora retreats into her sketchbooks to explore her father’s complicated legacy. Her drawings of her father on fire and her imagined conversations with him, in which he offers opinions on her new life, powerfully complement the prose, the sketchlike quality of the art emulating an artist’s personal sketchbook. In art class, Aurora meets Trey, a graffiti artist with whom she forms a contentiously competitive bond that is also laced with admiration and attraction—a relationship not unlike Aurora’s feelings about graffiti, which she finds both alluring and perilous. Aurora acknowledges the graffiti artists’ talents, as well as the issues of danger and vandalism that accompany the medium. With a nod to the best parts of her father’s unconventional spirit, Aurora eventually integrates her own unorthodox styles into her graffiti while also exploring more traditional gallery spaces as potential avenues for her future works.

A thought-provoking, beautiful exploration of the artistic process. (Historical fiction. 12 & up)

Pub Date: Aug. 18, 2015

ISBN: 978-0-8037-3910-9

Page Count: 352

Publisher: Viking

Review Posted Online: April 28, 2015

Kirkus Reviews Issue: May 15, 2015

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A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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