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MY BEST FRIEND

A delightful new friendship portrayed in all its emergent, ebullient, and transformative ways

Friendships are always new at first, with moments full of uncertainty and potential.

On the opening endpapers, a bold illustration of a young girl with pale skin and red hair gazes at readers, inviting them into a story that, like her friendship, is just beginning. Turn the page and the perspective shifts, as readers become bystanders to a budding interaction with a second girl, also pale-skinned but with black hair and glasses. Simple, spare text that shifts easily from first to second person weaves the tale of this dynamic pair as they leap and swing through each other’s imaginations and discover likes and dislikes, complexities, and nuances that make a friendship solid. Their hug, at the emotional climax of the book, is portrayed up close, surrounded by dynamic lines that evoke the energy of the moment and juxtaposed with text that belies an inner uncertainty that can be common with meeting new people. Though they don’t yet know each other’s names, still these girls are kindred spirits. The closing illustration mirrors the opening one—the protagonist looking away from readers and toward her new buddy as each girl leaves with her caregiver. Tamaki depicts the girls in soft, round lines rendered in red and green colored pencil, which evokes an emotional resonance through the artwork.

A delightful new friendship portrayed in all its emergent, ebullient, and transformative ways . (Picture book. 3-7)

Pub Date: March 3, 2020

ISBN: 978-1-5344-2722-8

Page Count: 32

Publisher: Atheneum

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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