A comprehensive resource on screenwriting basics.
Hollywood script consultant and blogger Gray offers a debut soup-to-nuts guide to creating a script and getting it to the people who can get it made.
The author states that the most important part of any screenplay is its “Entertainment Quotient,” which she defines as “the reason the reader can’t put your script down,” “the reason your script gets a ‘consider,’ ” and “the reason scripts get sold and movies get made.” What motivates gatekeepers in the entertainment business is putting “behinds in seats” and “dollars in…pockets,” she says. However, she also notes that this doesn’t necessarily mean that a writer must sell out and write a soulless rehash of whatever’s popular at the moment. Gray does counsel writers to keep an eye on the zeitgeist but also to work hard on perfecting basic elements of plot, character, tone, dialogue, and tension—all of which she addresses in chapters in a highly modular format with lots of headings and lists as well as writing exercises and end-of-chapter reviews. The book also has a highly conversational tone, and Gray even points this out: In Chapter 3, she specifically talks about ways that a writer’s distinctive “voice” can come through in his or her writing. Her own voice, she says, is a “Mary Poppins, spoonful-of-sugar voice” that’s “not terribly different from how I sound in person. But it’s still a voice.” She effectively tackles other basic concepts, such as overcoming a bad draft and how to write a voice-over. She also takes writers through the essentials of networking and finding an agent. Over the course of this manual, Gray provides very clear instruction, and her methods are consistently simple and helpful. Fledgling screenwriters having organizational difficulties, for example, should check out the author’s thoughts on outlining using smaller scenes, each with their own setup and resolution. On the whole, her tips are practical and positive.
A comprehensive resource on screenwriting basics.Pub Date: April 7, 2019
ISBN: 978-1-304-40483-1
Page Count: 270
Publisher: Lulu
Review Posted Online: May 28, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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