Tries for clever but doesn’t make it.
Be on the lookout! Wordplay is underway.
A mole named Under and a bird named Over play on a seesaw and swings. Simple declarative sentences explain where the pals are spatially as they use the equipment; their relative locations are depicted. From here, the pair begin to converse, so the prepositions over and under repeatedly appear in speech bubbles, paired with other words and set in boldface type throughout. Thus, dialogue emerges as commands, interjections, or occasional idiomatic expressions and puns—but it’s actually forming compound words. A story (ending with a sweet idiomatic phrase) develops and is expressed textually and visually: “Push, Over!” the mole yells from the swing, and “Under, Stand!” the bird demands when it wants a turn. Punctuation marks are used grammatically correctly, turning common (and not-so-common) compound words into phrases. Other examples of compound-word formation herein: “Over, eat?” “Under, cook,” “Over, done.” Unfortunately, the exercise does not amount to a satisfying story in itself. Adults will get the point; many children won’t, though some will recognize familiar compounds: overeat, understand, under/overcook, and underwear. (Here it’s punned “Under, Where?”) Occasionally, confusion reigns: Some word pairs that are boldfaced and set in speech balloons make no sense for the book’s apparent purposes because they aren’t compounds: “Over, There!”; “Dig, Dog!”; and “Down, Dog!” Colorful illustrations are energetic. An author’s note explains compound words and invites readers to locate those in the book, which are defined in a separate list. (This book was reviewed digitally.)
Tries for clever but doesn’t make it. (Picture book. 5-8)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-20355-2
Page Count: 32
Publisher: Philomel
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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